A healthy batch of impressive, often incredible music.

Though Keys to the Kuffs is no magnum opus, occupying a place just a notch under Take Me To Your Leader in terms of execution, it is an important step for the veteran.

Kiss The Ring is brief and overrun with enough proven formulas and artists that the opportunity for a miss barely exists.

There's rarely a weak bar on welcome to: OUR HOUSE, though the verbal dexterity isn't quite as stunning as it was on their debut.

With plenty of slick metaphors, complex wordplay and hard-hitting rhymes, Sigel comes out on top This Time.

It's an LP that accurately reflects 8 Ball's place as one of the finest elder statesmen of southern rap.

If Teflon Don was a buffet-style feast with deluxe entrées laid out for the listeners, God Forgives, I Don't is a full-course dinner that starts with a plate of bruschetta and ends with a zeppole.

Life Is Good is arguably Nas's best album since Stillmatic.

With Self Made 2, MMG takes another step toward truly becoming untouchable.

Rugby Thompson, an album that not only strips him of an unfair "weed rapper" label, but is also probably the best rap album to come out of New York this year.

The rapper coolly exceeds expectations in his artistic self-awareness and this go-round shines like his diamond-studded Fozzy Bear chain.

With Live from the Underground, through deeply authentic takes on his own life and surroundings, the 2011 XXL Freshman has found a way to create some of the most resonating, least selfish rap music around.

In his most recent solo endeavor, Control System, Soul craftily proves that he is indeed a potent weapon on a team full of heavy artillery.

The compilation is short--12 tracks--but if fans are looking for relentless lyrics in their R.A.P. Music, this ATL MC remains a Killer on the mic.

Strange Clouds is a sophomore album that straddles genre lines but does so with an authenticity that many rappers testing the pop waters lack.

The multi-talented artist has indeed gotten better, steadily working towards perfecting his crafts.

Even with so many features, Tyga rarely lets the album get away from him, remaining in the driver's seat even when next to young stars and legends.

With Rich Forever, Ross continues to cement his position as one of hip-hop's best artists.

Ultimately, lyrical dexterity and a versatile delivery prove to be ScHoolboy's biggest assets.

The Dreamer/The Believer may be Com's most digestible LP to date.

Despite the abundance of features (twelve), Snow's fourth studio album is indeed a win.

Although the music is undeniably the most exciting part of the tape, A$AP does little to get in the way, oftentimes, enhancing the beats with his Bone Thugs-N-Harmony inspired flows.

Transformation suffers from a few forgettable beats, but not in a way that devalues the project. Add another four-star LP to Murs's solid catalogue.

A concept album with an equally heavy focus on musicianship and rhymes, undun fantastically transports into the tragic narrative.

Once they digest this one, fans will be eager for seconds.

The album is a standout effort that introduces the full-range of his talents as an MC with crafty songwriting abilities and deft ear for a sonic palette.

Taken on the whole, Camp is full of top-tier lyricism, honesty, uncertainty and triumph.

Overall, Take Care's sum is greater than its parts.

Although some of its strongest cuts already appeared on its predecessor ("My God," "Alone In Vegas," "I Still Wanna"), Pusha ultimately leaves anticipation for his official solo introduction.

The sonic mood of Ambition reflects its title and author and proves, on the whole, far warmer than his debut.

The Wonder Years will be remembered with great fondness.

Despite a few redundant tracks and a lack of cohesion, Honkey Kong paints a good picture of the impressive output Apathy is capable of in 2011.

Undeniably, Charity Starts At Home reminds why the rapper has been a darling of the underground for years.

A very strong debut album from J. Cole.

Even with some lack of vulnerability and risk, Tha Carter IV displays the nonsensical approach that fans have grown to love. Future and previous aside, Weezy's present is bright.

Collectively, the project is incredibly ambitious, yet dexterous; West and his band of producers skillfully lay down a musical foundation that makes it easy to dance to and not be worn down by the, at times, didactic messages.

Maybe influenced by Marshall himself, Royce has learned to channel his loquacious voracity into a controlled rage, and the end result is perhaps his most complete body of work.

Reflecting the Top Dawg Ent. rapper's lyrics and tone, the album is unapologetic and rugged, but sounds anything but rough.

The majority of Sorry 4 The Wait reinforces that he's still capable of doing this [dismantling aggressive beats with purpose and flair], even if it doesn't exactly live up to classic mixtapes in his catalog.

Section.80 proves is that its author's brain is neither lost nor useless, as he weaves together carefully constructed thoughts before spewing raps on each of the project's 16 tracks, ensuring nothing is disposable or without purpose.

Though the content of We The Best Forever is what we've come to expect from a DJ Khaled offering-grandiose odes to the grind and getting yours-that he understands how to create those better than most is what makes a DJ Khaled track, and album, worthwhile.

When Fish Ride Bicycles is an energetic and fun summer album with lots of warm-weather references and car talk.

The project feels unified, and the three artists mesh well with one another throughout.

This prolific rhymer has added yet another project to a continuously growing catalog, and it's one sure to please anyone who flies those Jets.

Big Sean is justifiably basking in his moment on Finally Famous, oozing lyrically dexterous flamboyance over lighthearted production.

Throughout the 11-track record, Em and Royce deliver exactly what their fans have been waiting for for a decade plus: lyrics to go.

As is often the case with politically charged rap, the album at times comes off preachy, but it rarely oversteps the boundary.

The album is the first test of Tech's ability to balance his new industry connections with the distinct style that his Technicians have become accustomed to over the years. Luckily, he reaches that marker without any real stumbles along the way.

Seven of the ten tracks are under 3 minutes long, leaving the listener wanting more. It's as if you've just begun to take off with the jets, but the pilot is forced to make a premature landing. Even so, CC delivers, it's quality outshining its quantity.

The album still possesses enough of the classic Slug and Ant material that the underground has come to love that it will prove a welcome addition to their catalog.

The end result is a body of work that pushes hip-hop in a bold new direction and puts Mr,. West back at the forefront of the culture once again.

The seasoned MC isn't exactly saying goodbye to rap. However, whenever he does decide to hang it up, Trill O.G. will surely go down as a testament to why Bun B is one of the trillest to ever do it.

While his rock-solid catalog should vanquish any doubt, the Bawse looks to cement his musical gangsta on his fourth Def Jam album.

On Thank Me Later, he explores what it's like to have done that-to have become successful. Turns out, it's not exactly what he thought it would be. But it still sounds pretty damn remarkable.

While Adventures of Bobby Ray is B.o.B’s story, the feeling he conjures makes it easy to relate. It’s safe to say this genre-blending debut is a step in the right direction for the young rap star.

Both releases have their hits and misses, but overall the music remains balanced. Longtime E-40 fans will find more than a few songs to mob to, while the decidedly West Coast sound may alienate newer listeners.

While the self-assured MC is certainly gifted on the microphone, his boasts get a boost from the beatsmith’s production on songs like “Nobody,” as he guns for rap’s No. 1 spot. Likewise, Juxx’s spirited effort on the uplifting “You Can’t Stop Me” complements Polo’s uptempo production perfectly. It’s that balance that ultimately helps The eXXecution go off without a hitch.

Luda may not have evened the playing field, but he certainly created an excellent musical forum for the sexes to air out their differences.