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- Critic score
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Feb 11, 2014There’s a zip and kick to it, with big melodies (huge in the case of ‘Blk Stallion’) and clever turns of pace.
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Kerrang!Mar 10, 2014A very accomplished, multifaceted, genre-dodging outing. [8 Feb 2014, p.52]
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Alternative PressFeb 20, 2014With the track order shuffled entirely, it almost plays like a greatest hits album: Closer examination reveals cohesive new context for the collection, one that's more satisfying than anything we've heard from the trio before. [Mar 2014, p.88]
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Feb 13, 2014For the majority of its running time, Crosses is a slow, steady and comforting listen, very rarely raising above anything more than a laid back ebb and flow.
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Feb 10, 2014The record is overlong and the arrangements are a bit too familiar. Still, these brooding tracks are compelling as they merge into a coherent whole.
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Feb 10, 2014††† is a solid effort that stands on its own merit rather than simply cruising on the cultural cache of its members.
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Feb 10, 2014It meets its pre-release hype head on, and comes away the winner.
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Feb 10, 2014Despite a couple of assorted shortcomings, Crosses is a solid album. Moreno, Lopez and Doom draw from a vast palette of tones to create some legitimately interesting tunes.
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Feb 12, 2014While ††† may be on the same scale as Deftones, they’re not a replacement, and it stands to reason that Moreno can ascend to the heights of their previous work. But on †††, it’s like he never had wings.
Awards & Rankings
User score distribution:
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Positive: 26 out of 36
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Mixed: 8 out of 36
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Negative: 2 out of 36
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May 31, 2017
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Sep 24, 2015Definitely a welcome addition to Chino Moreno's perfect discography. It's electric, ominous, and even funky at points - one of the top albums of 2014.
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Dec 10, 2014