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Various guests--including Elvis Costello, M. Ward, and the singer’s own sister and father--are fun, but Lewis clearly remains the star, rising.
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Acid Tongue is where Lewis finally pulls it all together and delivers one killer of a record.
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Under The RadarAcid Tongue establishes Jenny Lewis as an idiosyncratic talent in her own right. [Fall 2008, p.76]
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Alternative PressMore lively and consistent than 2006's "Rabbit Fur Coat," Lewis's second solo disc builds like a whisky buzz. [Nov 2008, p.155]
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Unfortunately for those still hoping for an old-school Rilo Kiley redux, Lewis' new Acid Tongue is the sonic midpoint of those two releases, matching "Blacklight's" freewheeling, schizophrenic vibe with "Fur Coat's" alt-country foundations. For those ready to move with Lewis down those paths, however, the new one is a confident amalgam of tracks that sparkle, stew, and storm.
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Only a talent as major as Lewis could half bring it off.
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There’s quite a supporting cast on Jenny Lewis’s second LP. Elvis Costello makes an appearance, Zooey Deschanel, Jonathan Rice and M Ward all pop by.
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There's plenty of storminess on her excellent second solo album, whose songs mix muscular guitar rock ('The Next Messiah') with soul balladeering ('Sing a Song for Them') and chamber pop ('Black Sand').
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Lively and loose, cut with collaborators including her talented Scottish boyfriend Johnathan Rice, spooky folkie M. Ward and actress-singer Zooey Deschanel, the 11 songs (many of which she has performed live for years) encompass Southern-gothic folk, Appalachian blues stomps and 'The Next Messiah,' an eight-minute, Who-style rock mini-opera.
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What it has in common with its superb predecessors is Lewis's invaluable understanding of what works for her.
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Q MagazineImpressively, she pulls off both sympathy and empathy. [Oct 2008, p.138]
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MojoThis second album easily stands on its own merits. [Oct 2008, p.102]
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Ms. Lewis, also the frontwoman for Rilo Kiley, is unwrapped here, emboldened in her songwriting and more flexible in her voice.
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It's not the most instantly winning of albums, but its rewards become evident after repeated listens, its subtleties revealing themselves like an unfolding paper fan.
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Jenny is a definitely a chosen one in the talent department, but she doesn't really let on.
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The album is boastful, vulnerable and witty, usually within the course of a single song. It may be a bad man’s world, but a bad girl’s record makes it that much more tolerable.
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Acid Tongue is fuller and has more of a ragged, live-band feel than any of Lewis’ previous work.
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Acid Tongue has more hits than misses. However, Lewis doesn't realize her full potential on this LP.
User score distribution:
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Positive: 23 out of 28
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Mixed: 3 out of 28
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Negative: 2 out of 28
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Sep 29, 2011
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Mar 15, 2011
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KristinYMar 31, 2009