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Jun 9, 2017Adiós ultimately seems more like a coda than a grand farewell, with the album displaying a suitable modesty that suits the somewhat reduced circumstances of the artist. But it's also a potent reminder of Glen Campbell's talent, style, and musical legacy, and this album is the recorded curtain call he truly deserves.
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Jun 9, 2017Though he recorded Adiós in the same sessions that yielded See You There, Campbell’s voice sounds better on this record: slightly aged, but still remarkably rich and surprisingly versatile.
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Jun 19, 2017Adiós doesn't add much to Campbell’s legacy--the comeback records of recent years formed a fitting final act--but it’s a pleasant postscript, a wistful reminder of the joys a great musician once gave.
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Jun 9, 2017Campbell really thrives on Adios when given top-shelf material that digs a little deeper into more traditional country sounds.
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Jun 23, 2017Unable to hold a guitar for the majority of the sessions, his progressing dementia making it difficult to remember lyrics, it is nonetheless a celebratory affair laced with surprisingly black humour.
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Jun 9, 2017Interspersed, however, with Campbell's finest performances are several moments that fall short on a record that occasionally feels like a forced final effort. ... Ultimately, though, it's Campbell's voice, still nimble and newly haunting in its frailty, that makes Adiós a worthy conclusion from the legendary singer.
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UncutJun 16, 2017He signs off with a collection of mostly familiar songs, including three others by Webb, Bob Dylan's "Don't Think Twice It's All Right," Fred Neil's "Everybody's Talkin'" and a sublime version of the Dickey Lee heartbreaker "She Thinks I Still Care." [Aug 2017, p.15]