American Idiot - Green Day
Metascore
79

Generally favorable reviews - based on 26 Critics

Critic score distribution:
  1. Positive: 22 out of 26
  2. Negative: 0 out of 26
  1. 90
    It's exhilarating stuff, the kind of record that sets new parameters as to what is possible from a punk rock'n'roll band in the 21st century. [Oct 2004, p.106]
  2. In its musical muscle and sweeping, politically charged narrative, it's something of a masterpiece, and one of the few -- if not the only -- records of 2004 to convey what it feels like to live in the strange, bewildering America of the early 2000s.
  3. American Idiot is one of the most politically volatile albums to come out since the ascension of the Accidental President. It's also the best album of Green Day's 12-year career.
  4. An energetic, musically ambitious pop-rock record that employs its expanded vistas in the service of animating punk's well-worn thematic underpinnings.
  5. As often happens with concept albums, the disc tends to rely on lyrics over music, so some of the songs are forgettable. [24 Sep 2004, p.105]
  6. There's still plenty of spunk in to be found in this Sgt. Pepper-lite.
  7. An onslaught of varied and marvellously good tunes presented in an unexpectedly inventive way. [18 Sep 2004, p.65]
  8. Not only does it contain Green Day’s finest songs (and choruses) to date... but it also scratches at the surface of political dissatisfaction with nails sharp enough to leave a nasty scar.
  9. This is the type of album impressionable teenagers fall in love with, crammed with melody and variety and thrill.
  10. There are several duff tracks, certainly. And, sure, as a whole 'American Idiot' can easily be criticised for its simplistic, occasionally naïve sixth form lyrics, all round pomposity and general adherence to the group's tried and tested formula of punchy three-chord pogo-pop. But it's still a wonderfully entertaining, polemical punk rock record.
  11. A powerful work, noble in both intent and execution. [Nov 2004, p.110]
  12. As pretentious a concept as that might seem, Green Day pulls it off brilliantly.
  13. It is exactly what the band needs to boost itself to the next level of pop-punk prowess.
  14. If the forced lyrical growth is a little stunted, it’s more than made up for by the band’s newfound sonic ambitions.
  15. For all its grandiosity, American Idiot keeps its mood and method deliberately, tenaciously, and angrily on point.
  16. 70
    Fans will be relieved to know that although it pulls few lyrical punches, slam-dancing is still possible. [Nov 2004, p.119]
  17. Against all odds, Green Day have found a way to hit their thirties without either betraying their original spirit or falling on their faces.
  18. Self-referential, unified, and insanely catchy, American Idiot's positives outweigh its clichéd delivery and ironic medium for corporate America critique.
  19. American Idiot isn't so much meticulously crafted as it is unflinchingly audacious.
  20. The observations don't always dig as deep as they're meant to, and buzzwords occasionally stand in for insights, but American Idiot finds Green Day both shaking up its formula and applying it in novel and unexpected ways.
  21. As a rock opera, Idiot is a mostly three-penny thrill.
  22. Green Day trumps any pretension with melody and sheer fervor.
  23. 60
    Concept or not, American Idiot is still decent fodder for a mosh pit, a luagh and a sob session. [Nov 2004, p.136]
  24. An album that doesn’t sell us short on the pop hooks of albums past, but one that also delivers a healthy dose of politics to the mix without sounding like a six-legged cliché-riddled embarrassment.
  25. American Idiot is a mess - but a vivid, splashy, even courageous mess.
  26. There's no economics, no race, hardly any compassion. Joe name-checks America as if his hometown of Berkeley was in the middle of it, then name-checks Jesus as if he's never met anyone who's attended church. And to lend his maunderings rock grandeur, he ties them together with devices that sunk under their own weight back when the Who invented them.
User Score
8.8

Universal acclaim- based on 545 Ratings

User score distribution:
  1. Negative: 27 out of 312
  1. CRL
    Jul 26, 2011
    7
    No one saw this coming. Green Day makes a rock opera, and then that rock opera becomes one of the greatest of the decade. This album never lets up from the scorching prelude that is the title track, to the emotionally charged ending. Full Review »
  2. Mar 9, 2012
    10
    One of the best albums of the 2000-2009 decade. This album was a classic and it still is. I dont listen to it as much as i did in 2004 **** still the best album since Nirvana's Nevermind Full Review »
  3. Jan 16, 2012
    8
    Never been a big fan of Greenday before or since this record. I've always found them very average musically and borderline childish lyrically. This record however is very very good. Definitely GreenDay at their very best. apart from the singles there are half a dozen other excellent tracks on this. Full Review »