Black Holes & Revelations Image
Metascore
75

Generally favorable reviews - based on 32 Critics What's this?

User Score
8.7

Universal acclaim- based on 305 Ratings

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  • Summary: The stadium-sized English trio returns with a follow-up to its 2004 hit 'Absolution,' again produced by Rich Costey.
Score distribution:
  1. Positive: 22 out of 32
  2. Negative: 1 out of 32
  1. A work of dazzling scope and grandeur... It is impossible to imagine any other band making music quite like this. [Aug 2006, p.106]
  2. Muse have made a ridiculous, overblown, ambitious and utterly brilliant album, with more thrills than their previous three put together.
  3. In terms of sheer Freddie Mercury bravado and guitar-shredding, genre-jumping prog-rock pomposity, this stirring record is indeed (forgive me) something of a revelation.
  4. That’s not to say the album is a disappointment (it isn’t) or not great (it is, mostly), but after hitting their creative and commercial peak with Absolution and its subsequent breakthrough stateside, Black Holes and Revelations clearly reveals itself to be a transition record.
  5. If you manage to suspend your disbelief a little, Black Holes and Revelations will push your pleasure buttons.
  6. The album is a black hole of pomp and nothingness, a perfect document of the times. So, to fully enjoy it, it's best to turn your brain off and let yourself get sucked in.
  7. Give Muse credit for remaking itself over the years into a full-blown theatrical experience, and not just another echoing rock band. But that experience is, frankly, kind of shitty.

See all 32 Critic Reviews

Score distribution:
  1. Negative: 9 out of 181
  1. Dec 20, 2012
    10
    Electronic. Dazzling. Haunting. Beautiful. Bombastic. Impressive. Pop. Words spring to mind when describing the wonder that is Muse's fourth studio album, Black Holes & Revelations. A fearless direction, incorporating electronics, progressive rock, R'n'B, and more ridiculous elements to craft a masterpiece of modern music. An album so impressive, so magical, and so addictive. Muse are the masters of modern rock, clearly shaped by this album.

    Though not my favourite Muse album, this is one hell of a piece, with brilliant solos, gritty solos, mesmerizing vocals, and catchy melodies. Though that doesn't necessarily make a good album, Muse have succeeded. From the flow of Take A Bow (an incredible electronic piece) into Starlight and Supermassive Black Hole (two songs so massive they have become the most recognized Muse hits of all time), and into the heights of masterpieces of Map of the Problematique and Invincible, this is strong, and hard hitting, and the definition of Muse. Though Soldier's Poem ruins the flow after the brilliant and monstrous Map of the Problematique (an epic piece, by far considered one of Muse's greatest works), Invincible surely makes up for it, bombarding us with powerful solos and haunting lyrics. The pace picks up again with the heavy and intentionally heavy Assasin and Exo-Politics (both prominent in their conspiracy-lead Bellamy lyrics) into the relaxing City of Delusion (though using strong progressions and lyrics so powerful, you'll never want it to end).

    Hoodoo and Knights of Cydonia follow, two flawless pieces of music, lyrics so powerful and current, progressions so intriguing, guitar solos and piano experiments prominent throughout, they close a perfect album. Though the overall track listing isn't brilliantly placed, Black Holes & Revelations is a triumph, and one of Muse's greatest albums. Ever.

    Overall Score: 10/10
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  2. Aug 23, 2012
    10
    This is my favorite album by Muse. The way they have made all the songs is just flawless. It sounds so awesome, not a single day goes by when I don't listen to any song off this record. Expand
  3. Mar 26, 2013
    10
    Matt Bellamy's range as a songwriter continues to grow more complex, more absurd, and more bombastic with Black Holes and Revelations, which stands out even in Muse's distinguished discography as a masterpiece. From the opening synths in "Take a Bow" to the unbridled chaos at the end of "Knights of Cydonia," Bellamy has written 11 songs that stand alone brilliantly, but come together to tell a tale of government corruption and/or alien invasion.

    See, even Muse isn't sure what they're writing about! This chaos characterizes Black Holes and Revelations. High points: Exo-Politics, Knights of Cydonia, Starlight
    Low points: Assassin
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  4. Feb 20, 2011
    9
    Stunning. I don't want to write to much as i feel that may take away my point. This album has everything, it has ROCK (most importantly), electronica, acoustic and vocal ranges that simply inspire me to do better in everything i do. This is favourite Muse album. People may wonder why i'm saying that i think "He's not a Muse fan" - But i am a HUGE Muse fan, i followed them since pretty much day one, and like most Muse megafans i also LOVE Origin of Symmetry and Absolution, but for me, this album tops my lists. Fantastic album - end of. Expand
  5. j30
    Jan 30, 2012
    8
    Black Hole & Revelations takes Muse from relatively big venue status to stadium rock status. Even though the album is more uneven than it's predecessor, it takes them to new heights. Expand
  6. Feb 29, 2012
    6
    The good songs on this record are fantastic. Prog Rock at it's best and some real killer hooks going on. Supermassive Black Hole was one of the singles of the year and there are a handful of other catchy rockers on there as well. Unfortunately, as often happens with Muse, for 30% of the album they disappear up their backsides and the weaker tracks are pretty awful. Expand

See all 181 User Reviews