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Oct 22, 2013Somewhere along the line, this became an amazing band, and songwriting/arranging this masterful elevates Blur The Line to modern-classic status, fully justifying the 5-star rating applied at the top of this review.
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Oct 22, 2013Their truck-stop talk of tumours, drunk moms and Isaiah 11:6 focus the album on Deep South degradation, but the lush Lemonheads-pop of ‘Drive’, the stoned drive-in glam of ‘That Man’ and the girl-band psych-blues of ‘Baby Mae’ lend this record the tint of a narcotic and poetic take on Fleetwood Mac’s ‘Tusk’ with Jack White on fuzz and Phil Spector on shotgun.
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Nov 19, 2013Some of the Darlins' loose sense of humor has been lost along the way, but it's been replaced by a seductive bite that goes well with their lupine guitar ooze.
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Oct 22, 2013Despite the impressive breadth of their ambition, not all of the experiments stick.
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Oct 22, 2013Blur the Line is nothing like perfect, but it’s a record scored through with an impressively quick progression; not only have Those Darlins matured musically over the past couple of years, they’ve found something they’d sorely lacked to this point--bite.