User Score
8.1

Universal acclaim- based on 8 Ratings

User score distribution:
  1. Positive: 7 out of 8
  2. Negative: 0 out of 8

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  1. Mar 19, 2012
    6
    Im a critical bugger. When The Coral get it right they alternate between making me smile and sing along. This album does neither. However, it does possess an aural grab. A "polished" production, reminiscent of what Walter Becker did to China Crisis on Flaunt The Imperfection. Theyve grown up in a way, giving us a more "adult" album...maybe one for a fathers day present. Especially if thatIm a critical bugger. When The Coral get it right they alternate between making me smile and sing along. This album does neither. However, it does possess an aural grab. A "polished" production, reminiscent of what Walter Becker did to China Crisis on Flaunt The Imperfection. Theyve grown up in a way, giving us a more "adult" album...maybe one for a fathers day present. Especially if that father liked a mix of The Byrds and The Kinks Id suggest. Expand
Metascore
73

Generally favorable reviews - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 8
  2. Negative: 0 out of 8
  1. Uncut
    80
    The Coral don't put a foot wrong on this album, and therein lies its one flaw: by polishing their technique and perfecting their craft, they've become slightly less interesting. [Aug 2010, p.81]
  2. The present glut of aspiring British bands has never more seemed like an expanse of flotsam adrift on the seas of pop culture. The Coral's Butterfly House exists as a welcoming aural paradise--though, thankfully, not an Oasis.
  3. Despite being a guitarist down (Bill Ryder-Jones departed after Roots and Echoes), they've regrouped admirably and made a comeback record that strives for, and indeed almost reaches, the dizzying heights of 2002's self-titled debut.