Metascore
60

Mixed or average reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 10
  2. Negative: 1 out of 10
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  1. Apr 25, 2013
    76
    Tillman’s silken, Otis Redding–reminiscent vocals anchor funky, horn-driven R & B beats that match the swagger of Motown.
  2. 70
    Bye Bye 17 ditches raunch and irony for old-fashioned songwriting and something approaching sincerity, and the results are kind of amazing.
  3. May 1, 2013
    70
    It's clear that this is easily Har Mar's best album. Sure, the lyrics are still hamfisted, but they're not as bad as they were in the past.
  4. Apr 25, 2013
    70
    Bye Bye 17 feels less gimmicky than a lot of his other work. For perhaps the first time, Tillmann is coming at the songs from an angle that doesn't depend on the cognitive dissonance created by his sexual boasts played against his Ron Jeremy-esque appearance.
  5. Nov 6, 2014
    67
    Sean Tillman deliciously and shamelessly embraces his Motown passions.
  6. Under The Radar
    Apr 29, 2013
    65
    An amusing collection of tracks about the transition from youth to adulthood. [Mar-Apr 2013, p.103]

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