• Record Label: Ryko
  • Release Date: Feb 9, 2010

Generally favorable reviews - based on 12 Critics

Critic score distribution:
  1. Positive: 9 out of 12
  2. Negative: 0 out of 12
  1. Wringing beauty from her pain, Moorer creates music that illustrates an age-old truism: Without sorrow, there is no joy.
  2. Though the disc starts off unhurried and threatens to dawdle, the gentle lilt of "Goodbye to the Ground," makes for one of Moorer's most creative efforts to date.
  3. With her songwriting on point (she's always had a weakness for obvious, forced rhymes, but her discovery of slant and blank rhyme leave just a couple such offenders intact) and with her distinctive contralto in exquisite form, Moorer's performance here is arguably a career best.
  4. "Crows" opts for a mostly stripped-down acoustic sound that provides the perfect setting for Moorer's marvelous, R&B-inflected voice.
  5. Covering the likes of Joni Mitchell, Patti Smith, and Nina Simone on last year’s “Mockingbird’’ seems to have rubbed off on her. “Crows’’ is a striking album.
  6. If Crows was the first album from a new artist, it would certainly be hailed as the debut of a powerful new voice, and the fact that it comes from someone who has already been making fine music in notably different styles makes the accomplishment all the more impressive.
  7. Occasionally augmented by beautifully restrained strings, there’s a kind of heat-haze shimmer evident, of a kind that gave Bobbie Gentry’s sound some of its mystery and magic.
  8. Moorer strips away the nursery rhymes that sometimes plagued her output and instead focuses on song narratives that break from traditional verse-chorus-verse-chorus structure. The result is richly rewarding.
  9. 70
    The songs could use more steam, but Crows reveals yet another color in Moorer's palette.
  10. Uncut
    Too much of it is lost in homogeneous country balladry more often associated with Trish Yearwood and all the other Nashville guff. A pity, because Moorer's voice is an expressive thing. [Mar 2010, p.94]
  11. Moorer's handsome voice is remarkably twangless here. Also remarkable is that the most indelible of her goth-chick musings is the happiest-sounding.
  12. Crows isn’t without merit—Moorer’s voice is beautiful, and the themes are on an emotional canvas that anyone over 13 with a normal amount of chromosomes has experienced, making her album relatable if not particularly memorable.

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