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Feb 4, 2014They make some mistakes, sure--the vocal spots from JODY and Yen Tech are fumbles--but they're more adept than ever at stewing their idiosyncratic set of sounds into one deliciously strange brew.
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Jan 31, 2014Rather than the stunt-casting found in some dance-pop albums, the vocalists here exist intrinsically and organically in the songs, their vocals weaved into the fabric rather than simply wearing it.
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Jan 27, 2014Miniature interludes tie it all together for that classic album flow, and with no filler or fumbles, Divine Ecstasy is a well-dressed and worthy addition to tasteful lofts, high-end headphones, and excellent album collections.
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MojoJan 23, 2014A record that twinkles with a smart electronic pop sheen. [Feb 2014, p.97]
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Jan 23, 2014This is an album that is adaptable for any mood or setting, so long as the listeners go with the flow and let the music take control.
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Jan 23, 2014It’s never dull and is sometimes quite extraordinary, taking multiple turns as it goes in order to keep listeners on their toes. Supreme Cuts is a scarce example of an artist moniker that well manages to sum up its own album.
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Feb 18, 2014Vertigo is still clearly the goal of tracks that loop and layer and pile on speedily pattering percussion, deliberately occluding vocalists who are busy emoting and elaborating.
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Feb 4, 2014While Divine Ecstasy may not satisfy all your experimentally complex tastebuds, it will satisfy some of them, mostly because it does so much.
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Jan 23, 2014[Divine Ecstasy] is a sound--no matter how hard to quite pin down and vivisect--with which the music world has been familiar for going on a few years now, and very little groundbreaking--cloud breaking? sunshine breaks through clouds, right?--is going on here, although Cuts’ brand of amoeba production does have enough individuality to stand apart from its peers.