E=MC2 - Mariah Carey
Metascore
63

Generally favorable reviews - based on 18 Critics

Critic score distribution:
  1. Positive: 9 out of 18
  2. Negative: 1 out of 18
  1. The result is a largely enjoyable mix of flirtatious club jams, midtempo love songs, and emotional ballads anchored by hip hop beats that hansomely showcase the singer's powerful vocal range. [18 Apr 2008, p.63]
  2. 80
    E=MC2 is Carey's most-fun album, and her best.
  3. She is on fine vocal form throughout E=MC2, whether belting out massive ballads ('Thanx 4 Nothin') or layering her voice into a swooning bank of a hundred Mariahs ('I'll Be Lovin' U Long Time').
  4. The production is glossed to within an inch of its life, the mood is cheerfully upbeat--or 'festive' as Carey might put it herself--and the entire confection rings out with bold, sassy, brutally executed intent.
  5. Carey's made a pop album with equal parts levity and gravity.
  6. A strident, self-assured album.
  7. It's still very much a Mariah album--and a very slick and stylish one--with all the sweetness and swagger that entails.
  8. As sequels go, E=MC2 is better than most, boasting a higher, and more consistent, quotient of slinky, dance-floor charm and stronger ballads than "Mimi."
  9. It’s all pretty cohesive, yet the album relies too heavily on its slick production and lyrical arrangements.
  10. Like so much of "Emancipation" and E=MC2, which is a virtual replica of its predecessor in almost every way, 'Touch My Body' is all about sound, rhythm, and texture and not so much about song, something that helps sustain Mariah Carey's run at the top the charts, but something that also pushes melodic hooks, and in the process singing, into the background.
  11. Nearly every song confines Carey to four-note verses, offering little room for her glorious range, and the six ballads are drenched in yearbook-quote lyrics that never quite work themselves into the froth of "The Emancipation of Mimi."
  12. There is some insubstantial filler here, but more often than not, E = MC2 hits the mark.
  13. That leaves the expected collection of highly buffed beats, a dozen producers deep, which occasionally generates material that ranks with Mariah's best.
  14. E=MC2 is a little better--the songwriting is more consistent, the feel a bit more natural--but it too lacks a ruling temperament or artistic vision.
  15. 40
    Adhering to commercially fixated standards of production line R&B, E=MC2 charms soon melt away. [Aug 2008, p.87]
  16. It is in the same vein [as "The Emancipation of Mimi"], but much less good.
  17. At the end of the day, however, E=MC2 is nothing more than a shallow imitation of its predecessor, the unexciting kid cousin of an arena-sized R&B watermark.
  18. Even the fun disco of 'I’m That Chick' is too little, too late for E=MC²--an album that proves just how easy it is for a well-funded virtuoso and the world’s best hitmakers to create a steaming pile of shit.
User Score
7.3

Generally favorable reviews- based on 147 Ratings

User score distribution:
  1. Positive: 59 out of 80
  2. Negative: 16 out of 80
  1. Jul 12, 2013
    7
    I love this album! Very fun and creative. While it is REALLY similar (in terms of track order) to 'Emancipation', it is nonetheless good. She knows how to make albums. My favorite tracks are 'I'm That Chick' for its sexiness and grooviness, 'Cruise Control' for its playfulness and her decision to collaborate with Marley, and 'Bye Bye' for the message it gives. This is a feel-good album that I'll listen to in any situation. It's my 2nd favorite Mariah album behind 'Emancipation', but it is indeed remarkable. Fun fact: This was actually the first Mariah album I ever owned. I really got into music a couple years back. This album helped me discover more artists and more Mariah albums. Mariah is one of my favorite artists of all time and this album will always be a part of me. The title is fun too. Full Review »
  2. Nov 30, 2012
    8
    Her highest reviewed album in years
  3. Apr 16, 2011
    8
    The album is good, it's an easy listen from beginning to end, but she brings nothing new to it and it sounds like it tries too hard to grab all that worked with The Emancipation of Mimi, and make it a tiny bit edgier. There is a failed attempt at reggae on here, and the presence of Young Jeezy is unnecessary and a little OTT to be fair. Touch My Body is great, a really playful track, and I love I Stay In Love, Migrate and Bye Bye but, in the grand scheme of things, the album is only good. Full Review »