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Nearly every song confines Carey to four-note verses, offering little room for her glorious range, and the six ballads are drenched in yearbook-quote lyrics that never quite work themselves into the froth of "The Emancipation of Mimi."
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Like so much of "Emancipation" and E=MC2, which is a virtual replica of its predecessor in almost every way, 'Touch My Body' is all about sound, rhythm, and texture and not so much about song, something that helps sustain Mariah Carey's run at the top the charts, but something that also pushes melodic hooks, and in the process singing, into the background.
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That leaves the expected collection of highly buffed beats, a dozen producers deep, which occasionally generates material that ranks with Mariah's best.
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There is some insubstantial filler here, but more often than not, E = MC2 hits the mark.
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E=MC2 is a little better--the songwriting is more consistent, the feel a bit more natural--but it too lacks a ruling temperament or artistic vision.
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It is in the same vein [as "The Emancipation of Mimi"], but much less good.
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At the end of the day, however, E=MC2 is nothing more than a shallow imitation of its predecessor, the unexciting kid cousin of an arena-sized R&B watermark.
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UncutAdhering to commercially fixated standards of production line R&B, E=MC2 charms soon melt away. [Aug 2008, p.87]
Awards & Rankings
User score distribution:
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Positive: 194 out of 382
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Mixed: 90 out of 382
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Negative: 98 out of 382
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Feb 18, 2021
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Nov 4, 2022
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Nov 10, 2015