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This set of songs disappoints with its unwillingness to take real chances. Seemingly afraid to sound foolish, Barlow now sounds just okay.
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It lacks both the lurching DIY energy and emotional intimacy of his more rough and ready recordings.
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Those in search of classic Barlow would do far better to dig out their battered old copies of Bakesale.
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Under The RadarThe lack of distinctive arrangements eventually diminishes the songs' individual merits. [#9]
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Beyond its opening hat trick, Emoh dissolves into a retread of the same psychic wound, recycling the same themes with less inspired, more pedestrian results.
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Nowhere near as affecting as even latter day Sebadoh records like Harmacy, Emoh shows Barlow in a typically maudlin frame of mind, but the starkness of his voice is smoothed over with pointless overdubs
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Q MagazineLack[s] both the energy of Sebadoh and the quirkiness of his Folk Implosion project. [Mar 2005, p.98]
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Barlow's precious melodies and don't-wake-the-baby vocals never reach fertile ground, making Emoh more Dashboard Confessional (or maybe Dadbored Confessional?) than anyone may be comfortable with.
User score distribution:
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Positive: 17 out of 19
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Mixed: 1 out of 19
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Negative: 1 out of 19
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jasoncApr 24, 2005easy to dismiss at first listen i've grown to love this set of songs.
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[Anonymous]Mar 31, 2005
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allenmMar 24, 2005