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- Summary: The debut full-length release for the London-based singer-songwriter was produced by Bill Ryder-Jones.
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- Record Label: Allpoints
- Genre(s): Pop/Rock, Alternative/Indie Rock
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Score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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Feb 27, 2020Her stories are made believable by the authenticity of Bentham’s real-life everyday nothings that season each song and open our minds and hearts to the most primal feelings we encounter and the most insignificant events that take place in our lives.
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Feb 27, 2020Bentham may have struggled writing this album, but the results exude confidence and ambition. Whilst it draws heavily on the slacker sounds of the 1990’s, Bentham brings the genre firmly into 2020 with her fresh take on what it’s like to create in a time where inspiration can be hard to find.
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Feb 27, 2020Bentham is very good at what she does. She’s a distinctive songwriter with a penchant for avoiding the obvious, and her songs have a way of lingering, with melodies that scroll through your head like a news ticker.
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Feb 28, 2020Because the album’s scale and ambitions are modest, some of its songs blend together. ... Still, the individual songs are strong enough that obsessing over their similarity feels like nitpicking.
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Feb 27, 2020Sensitive to a whole host of influences old and new, ‘Everyday Nothing’ is a confident, cohesive and finely-honed debut.
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UncutFeb 27, 2020Layered guitars make s luscious soundtrack to get lost in, but relatable lyrics will guide you home. [Mar 2020, p.25]
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Q MagazineMar 10, 2020Occasionally needs higher definition, yet her brittle voice and watchful lyrics cut through the Cocteau Twins grunge of With Love, the eye-rolling daze of All My Friends Are Drunk, the slacker energy of Keep It Near. [May 2020, p.100]
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