Metascore
79

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 10
  2. Negative: 0 out of 10
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  1. Jul 12, 2022
    90
    The whole album is pulsing with both those elements [energy and emotion] and comes across like the group's most important album, only without the kind of pretension that kind of thing often entails. It's more that Formentera captures the warring emotions, steady fears, and crushing uncertainty of the era it was made in and delivers it all wrapped up in triumphant and true songs that one will want to spin again and again.
  2. Jul 18, 2022
    85
    On their eighth album, Formentera, they sound as vital as ever, with the creative nucleus of Emily Haines and James Shaw once more pushing the possibilities of what Metric are.
  3. 80
    Formentera is a gratifying record stuffed with perfectly crafted songs by a band completely at ease in their own skin.
  4. 80
    In the end this feels like a record made by people seeking hope and escape while – like many of their audience – secretly doubting everything. It's fertile inspiration for music that twists Metric’s signature sound into new shapes that seem a good fit for the psychic terrain of the supposed swinging 2020s.
  5. Jul 7, 2022
    80
    Its upbeat synth work and swirling crescendos are not just an illusion, or a cheap trick, like many songs that make up a "Happy Songs That Are Actually Sad" playlist.
  6. Jul 7, 2022
    80
    Two decades on, Formentera sees the band still going from strength to strength, evolving their sound as time goes on, while retaining all the elements which make them such an enjoyable listen.
  7. Jul 12, 2022
    70
    It doesn’t all quite land. ... But with the glow of “Doomscroller” acting as a foil, even those lesser songs still manage to productively contribute to that contradictory posture of solidarity-oriented striving that suffuses Formentera.
  8. Uncut
    Jul 7, 2022
    60
    Full of hits and misses as it sways back and forth between indie and electro, never quite finding its feet. [Aug 2022, p.30]
  9. Jul 7, 2022
    60
    Haines’ singular vocals have always been the band’s not-so-secret weapon, and it’s here [on ‘Enemies Of The Ocean’] where they shine greatest, jumping from hauntingly beautiful to full-on rock goddess mode. However, much of the rest of the album just goes to highlight how it’s a game of two halves. You could literally compile a list of the numbers that are over five minutes as the standouts and ones under as pedestrian.
User Score
8.4

Universal acclaim- based on 19 Ratings

User score distribution:
  1. Positive: 17 out of 19
  2. Negative: 1 out of 19
  1. Jul 14, 2022
    8
    Metric isn't new. But they're not old
    Formentera isn't a breakthrough album- Metric already had that.
    Life is short. This album stretches
    Metric isn't new. But they're not old
    Formentera isn't a breakthrough album- Metric already had that.
    Life is short. This album stretches time.
    The first track Doomscroller is a crazy choice-- I respect that and continue to follow Metric. The other tracks are pretty good. I expect this album sounds perfect beneath summer stars in Canada.
    Full Review »
  2. Jul 8, 2022
    10
    Eight albums in and Metric are still making amazing, inventive, and highly creative music. This is the most synth-driven album sinceEight albums in and Metric are still making amazing, inventive, and highly creative music. This is the most synth-driven album since Synthetica and Emily Haines's vocals have never been better. What takes this album up a notch is its depth. All 9 songs are really good bordering on sublime. It opens with the 10 minute Doomscroller. As a lifelong Metric fan, I knew full well that this would not be just any Metric album. The guns were out early and carried all the way throughout. It has been 3-1/2 years since Art of Doubt. The wait was worth it. Full Review »
  3. Jul 8, 2022
    8
    Beautiful work. Particularly among fans of Pagans in Vegas and Synthetica. Thank you so much, Metric!