- Critic score
- Publication
- By date
-
Bat for Lashes' music feels like some lost specter that has fortuitously wandered into your home and can't help but haunt you.
-
An entrancing, wonderfully surprising record which manages to feel both refreshing new and strangely timeless.
-
Bat For Lashes' debut, Fur And Gold, is an album that delivers the listener from any form of humdrum existence into a deeper realm of dream and dementia.
-
The collection offers a fresh take on England's druid-rock legacy, blending electronics with the elemental skin and seeds of drums and shakers in a sound that's both atmospheric and richly textured.
-
Fur and Gold announces Natasha Khan's Bat For Lashes as a talent impossible to ignore and beguiling to behold, an album that, time and again, plucks one away from the mundane and offers a bewitching alternative galaxy of delights.
-
Fur & Gold sounds a little bit too comfortable for its own good. Khan is a great singer, and her band is undoubtedly competent and capable, but the record sounds like it wants to be more than it is.
-
Fur and Gold is admittedly not as strong and cohesive a record as "Wind in the Wires." At its finest, though, it does show off a rare talent for haunting and evocative songwriting.
-
Lyrically, Khan really cuts loose, switching from everyday matters to sinister fantasies, often during the same song, and all with extraordinary confidence.
-
Even though Khan's music is not yet as ambitious as [Kate] Bush's best work, it has enough arresting moments and unique beauty to suggest that Khan is an indie songwriter and chanteuse to watch.
-
The U.K. sensation weaves her tales of wizards, horses and magic in a warm bearskin coat of Kate Bush sensibilities, piano playing that’ll bring you to tears and instruments that only real musicians understand, like the harpsichord.
-
Under The RadarDespite her ear for meditative melodies, however, her most complex arrangements are usually her best. [Summer 2007, p.72]
-
Entertainment WeeklyFur is, indeed gold. [17 Aug 2007, p.73]
-
Any other attempt at describing Khan's sound of Renaissance antiquity cross-pollinating with postmodernity--the trip-hop bass of 'Trophy' that riptides into the autoharp lilt of the spectral 'Tahiti,' for instance--falls woefully short of music so cleverly askew and oddly beautiful.
-
Fur and Gold is not the greatest album of the 2007, but it’s certainly the most breathtaking.
-
Closing with a bonus cover of Bruce Springsteen's "I'm On Fire" ends things on an uninspired, Tori Amos-like note, but by then, most will be too far under Khan's spell to notice.
Awards & Rankings
User score distribution:
-
Positive: 55 out of 62
-
Mixed: 5 out of 62
-
Negative: 2 out of 62
-
May 25, 2011
-
AuntieS.Sep 14, 2007
-
sylviom.Aug 21, 2007Delicious to hear alone.