• Record Label: Capitol
  • Release Date: Jun 10, 2003
User Score
8.7

Universal acclaim- based on 647 Ratings

User score distribution:
  1. Negative: 13 out of 647

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  1. Jan 2, 2013
    10
    It would appear that many of the lukewarm or negative reviews of Hail to the Thief have more to do with the density of this album [rather than any sub-standard songwriting on Radiohead's part]. Compared with the sparser textures of Kid A and [to a lesser extent] Amnesiac, which made these records more accessible despite the music's experimental nature, Hail to the Thief is thick with soundIt would appear that many of the lukewarm or negative reviews of Hail to the Thief have more to do with the density of this album [rather than any sub-standard songwriting on Radiohead's part]. Compared with the sparser textures of Kid A and [to a lesser extent] Amnesiac, which made these records more accessible despite the music's experimental nature, Hail to the Thief is thick with sound and heavily layered. Not only does this mean that more plays are needed to get to grips with, and appreciate, the power of the songs and their many subtleties, but also that listening to Hail to the Thief is exhausting - a result of the dense texture combined with a sense of melancholy and heaviness that saturates the 14 tracks. The fact that O'Brien and Greenwood have picked up their guitars again as well as the band continuing to use electronic sounds means that Hail to the Thief can be likened to Radiohead around the time of The Bends/Ok Computer playing at the same time as Radiohead circa Kid A. Given this, it is no wonder there is a lot going on, sonically.
    As ever, Radiohead are breaking a lot of new ground here, as is especially apparent in tracks like A Wolf at the Door [musically pretty verses with a Yorke's drunken stream-of consciousness overlaid, and a simple, catchy, and highly effective 'The Bends'-like chorus], and the dance-like Backdrifts [with the chord progression that sounds like it should go with a piano ballad, but rhythmic elements and electronic pips that belong on the dancefloor]. However, there are plenty of nods to previous albums in Hail to Thief; Johnny Greenwood's shimmering octave-up guitar effects on Sail to the Moon are reminiscent of Subterranean Homesick Alien, and his playing on Go To Sleep could easily belong on The Bends.
    Hail to the Thief also has its share of Radiohead's signature melancholic beauty, in the piano and glockenspiel opening of Sit Down. Stand Up[before it is shattered by a storm of electronic and vocal raindrops], the soaring slowness of Sail to the Moon, and pure vocal harmonies in I Will [surely Radiohead are masters of making anger something so beautiful]. The Upshot: All these factors combine to make an album that's success is due to the right mix of original sonic experimentation and elements from their previous albums. Of all their studio albums, Hail to the Thief is likely the most difficult to digest and comprehend, but to do so is certainly worth it. Persevere in getting to know the songs intimately, and be rewarded with the emotional power and musicianship of Radiohead at their very best.
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  2. shaunb
    Dec 7, 2006
    10
    Beautiful. Are people so oblivious as to not ever mention the harmonies on this record. They are some of the most complex positioning ever done. "I Will's" three way harmonizing, "sail to the moon's" last sections weaving motions...It boggles me, it's seldom ever mentioned in reviews. It just goes to show peoples blind neglegence in smashing art they don't understand. Beautiful. Are people so oblivious as to not ever mention the harmonies on this record. They are some of the most complex positioning ever done. "I Will's" three way harmonizing, "sail to the moon's" last sections weaving motions...It boggles me, it's seldom ever mentioned in reviews. It just goes to show peoples blind neglegence in smashing art they don't understand. If ever fools question the new contrabutions Radiohead has brought to the table. Just say the most un Beatlesesque harmonies ever done. Oh yeah, plus their song writing is spot on," Wolf at the Door" is hauntingly beautiful. Great record guys, can't wait to hear the new one. Expand
  3. Hannes
    May 10, 2007
    10
    I love it period
  4. MaxM
    Jun 21, 2007
    9
    This music is different and it sucks that Radiohead is my favorite band because I can't find any music that is similar to it only better.
  5. TheSox
    May 5, 2010
    10
    Awesome
  6. MitchellF
    Sep 27, 2006
    9
    Unmistakeably amazine. A warming blend of both Kid A and Ok Computer, and even a touch of The Bends. The soothing melody's and electrifying hooks draw you in telling more than stories and drawing pictures. The only reason i give it a 9 is because it's hard listening to this over Ok Computer and Kid A when looking at the albums on my MP3 player.
  7. RobbieC
    Dec 9, 2007
    9
    How do they KEEP doing it this well? It's a mystery.
  8. GazL
    Mar 14, 2007
    10
    Astonishing album - has really stood up to repeat listening and remains played on my ipod all the time. I don't care if it is 'rock' or not, as long as it rocks, and it does - Wolf At The Door is particularly outstanding...
  9. TristanA
    Jun 6, 2007
    9
    Wonderful Album, great lyrics and themes abound this album and although there are some songs that aren't as brilliant as others, overall the best songs i.e: Wolf At The Door, Myxomatosis, I Will, There There and Scatterbrain more than make up for the less impressive other songs. Very Very Impressive album.
  10. FrankieR
    Sep 19, 2007
    10
    Super dank. Anyone who gives any radiohead past OK Computer anything less than a full 10 needs to be dragged into the backyard, executed, and have their body defiled by infected, old sex offenders. Then I will personally empty an Uzi clip into their rotten carcasses.
  11. MarcinN.
    Oct 24, 2008
    10
    Still think it's underrated because it's too modern for the 2003 when it was released.
  12. OzzL
    Mar 6, 2009
    9
    A inventive and radical album. Sometimes the crazy prouction and sounds pay off, on occasions they do not, but on the whole it's another great album.
  13. DanielN
    Mar 18, 2010
    9
    What a beautiful soundscape. What a journey within yourself. Picking apart the textures on this perfect album is on of the most pleasurable things I have ever done.
  14. DeclanM
    Dec 13, 2006
    10
    simply superb still listening to it after 3 years
  15. RickyS
    Oct 10, 2007
    8
    Ok first off to negate Eric C, My Morning Jacket, Blonde Redhead, and Battles DO NOT sound like Radiohead. I just saw BR in concert and there are almost no similarities. Battles is just completely different. MMJ could be considered similar in ways, but really aren't. They are FAR more straightforward and country-esque. That being said, Hail to the Thief is a great album, but is Ok first off to negate Eric C, My Morning Jacket, Blonde Redhead, and Battles DO NOT sound like Radiohead. I just saw BR in concert and there are almost no similarities. Battles is just completely different. MMJ could be considered similar in ways, but really aren't. They are FAR more straightforward and country-esque. That being said, Hail to the Thief is a great album, but is nowhere near as good as The Bends, OK Computer, Kid A, or the just released In Rainbows (thank goodness). Hail has elements of all of the albums but not necessarily their strengths. Still worth many spins if you're a Radiohead fan, but if you're new to the game, DO NOT start with this album. You will regret it. Expand
  16. ChrisR
    Oct 6, 2007
    10
    100 Alternative Press There's something for everyone here. [Jul 2003, p.120] What the fuck planet are you from? 93 Pitchfork For its moments of gravity and excellence, Hail to the Thief is an arrow pointing toward the clearly darker, more frenetic territory the band have up to now only poked at curiously. Only poked at curiously? Did I get the same albums or just the sad versions of 100 Alternative Press There's something for everyone here. [Jul 2003, p.120] What the fuck planet are you from? 93 Pitchfork For its moments of gravity and excellence, Hail to the Thief is an arrow pointing toward the clearly darker, more frenetic territory the band have up to now only poked at curiously. Only poked at curiously? Did I get the same albums or just the sad versions of Kid A and OK Computer. "Calm, Fitter, Happier, and more productive. A pig in a cage, on antibiotics." You don't get anymore depressed than Hail to the Thief though. See Radiohead pull out of this depressing nose dive on their next album. Expand
  17. UntitledAnonymous
    Jan 7, 2007
    10
    An amazing listen. Much more approachable than their previous two.
  18. roberts
    Feb 3, 2007
    9
    A classic radiohead but still there's something missing a bit...
  19. nathans
    Mar 28, 2007
    10
    Hail to the Radiohead!
  20. Oligami
    May 20, 2007
    9
    Yep, it sums up just about what they've done so far. Brilliant.
  21. elmo.
    Aug 12, 2007
    9
    By far their best post ok computer album.
  22. KalebS.
    Jan 13, 2008
    10
    Hail to the Thief is undeniably the hardest rocking Radiohead album since The Bends and the most lyrically mature and poetic Radiohead album since OK Computer. It 's the culmination, the pay-off for all the experimentation the band did on Kid A and Amnesiac. So basically what you get is the album that rocks hard while still experimenting and trying new things, yet never sounding like Hail to the Thief is undeniably the hardest rocking Radiohead album since The Bends and the most lyrically mature and poetic Radiohead album since OK Computer. It 's the culmination, the pay-off for all the experimentation the band did on Kid A and Amnesiac. So basically what you get is the album that rocks hard while still experimenting and trying new things, yet never sounding like it's wandering about aimlessly. Thom Yorke's songwriting has never been better and I don't think I'll be exaggerating if I say that the album matches the genius of OK Computer both musically and conceptually. HIGHLY recommended for the fans of the band, for music fans who are just starting to look into Radiohead, and for those who fell off the bandwagon with the release of Kid A and Amnesiac. 10/10 Expand
  23. ChrisP.
    Sep 24, 2008
    10
    One of the best Radiohead albums. "Where I End and You Begin" and "Go to Sleep" are flawless.
  24. TimB
    Apr 27, 2009
    10
    This album doesn't get the credit it deserves. It is one of Radiohead's best!!!
  25. DexStud
    Jul 29, 2009
    9
    Not for everyone, including pop fans. But those who do give this album a try will be greatly rewarded with an awesome, original sounding album.
  26. omniQ
    Nov 14, 2006
    8
    Just let the band take a stylistic breather. So they don't feel like pushing the envelope to the brink of breakage this time. Wait until their monstrously good LP7, but sit back and take a break with this one for now, please.
  27. EricC.
    Sep 14, 2007
    9
    Really is a fantastic album. Radiohead always deserves the hype they get. Unfortunately, this release doesn't have the lasting effect that Ok Computer had. Well, probably nothing will. Very talented song writing, an almost perfect mix of instruments and computer sounds. Just not an album I'll play frequently, as good as it is. And Max M, here's a few Radiohead-ish bands Really is a fantastic album. Radiohead always deserves the hype they get. Unfortunately, this release doesn't have the lasting effect that Ok Computer had. Well, probably nothing will. Very talented song writing, an almost perfect mix of instruments and computer sounds. Just not an album I'll play frequently, as good as it is. And Max M, here's a few Radiohead-ish bands that are worth looking in to. My Morning Jacket, Blonde Redhead, and if you're adventurous, Battles. They're on this site. Expand
  28. leighm
    Jun 24, 2009
    10
    Underrated. this album is a collection of so many different genres. it is a prime example of Radiohead's versatility. Its superb.
  29. ReidM
    Aug 15, 2009
    10
    This album has it all. The most versatile, poetic, beautiful, ugly, gritty, engaging, sick, ass-kicking piece of intelligent, thought-provoking rock-n-roll I've heard in a long time.
  30. richard
    Nov 15, 2008
    8
    Radiohead sets the bar so high for themselves that it is difficult to rate their music. for most groups this would be considered their tour de force but for Radiohead, it comes off as just another fantastic album. With it they cement their place in history alongside Zeppelin and The Beatles. They past The Rolling Stones a long time ago.
  31. Jul 15, 2015
    9
    For my first review on albums, I picked one of my favourites: Hail To The Thief, by Radiohead. Its got some pretty good hits on there, one of my personal favourites being There There. A must-listen for rockers everywhere.
  32. Mar 4, 2023
    8
    Radiohead hasn't released a single bad record and this is no exception. While the lows are low compared to their other records, they're still great. the Highs on the other hand are quite something different. From the soft and intimate emotionally invested "Scatterbrain" to the absolute deep paranoia and unsure madness in the "Wolf at the Door" chorus, this record manages to keep myRadiohead hasn't released a single bad record and this is no exception. While the lows are low compared to their other records, they're still great. the Highs on the other hand are quite something different. From the soft and intimate emotionally invested "Scatterbrain" to the absolute deep paranoia and unsure madness in the "Wolf at the Door" chorus, this record manages to keep my interest and the last side has to be my favorite from the entire Radiohead catalogue. Held down by it's unsure vision, the record does get a bit incoheisive at times like at the sudden IDM influenced "The Gloaming", Expand
Metascore
85

Universal acclaim - based on 26 Critic Reviews

Critic score distribution:
  1. Positive: 22 out of 26
  2. Negative: 0 out of 26
  1. Q Magazine
    70
    As admirable as Radiohead's quest ongoing quest to ignore expectations, tear up the manual and proudly rebel against the limitations of 4/4 time seems, some of Hail To The Thief comes dangerously close to being all experimentalism and precious little substance. [Jul 2003, p.98]
  2. Of course it's political, and of course it continues to merge electronic experimentation with more familiar rock structures; but it employs all those debate-igniting props simply to further the band's more pressing agenda: to tirelessly explore beauty's terrible fragility.
  3. Hail to the Thief is overloaded with miraculous sounds.