• Record Label: Capitol
  • Release Date: Jun 10, 2003
User Score
8.7

Universal acclaim- based on 647 Ratings

User score distribution:
  1. Negative: 13 out of 647

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  1. DanD
    Jun 5, 2003
    10
    The problem with reviewing a Radiohead album is that it's hard to find relevant comparisons. They are the most skillful of magpie bands - taking a bit from here, a bit from there, and twisting it all together into something that generally sounds quite unique. So critics, without an easy reference point to go by, tend to evaluate each new Radiohead album by comparing to their previous The problem with reviewing a Radiohead album is that it's hard to find relevant comparisons. They are the most skillful of magpie bands - taking a bit from here, a bit from there, and twisting it all together into something that generally sounds quite unique. So critics, without an easy reference point to go by, tend to evaluate each new Radiohead album by comparing to their previous work, especially that famous third album. The NME review of Hail To The Thief, for example, could be summarized roughly as follows: "It wasn't OK Computer." The reply that comes immediately to my mind is that... well... yeah. It's not. Was anyone actually expecting that? People seem to forget that Radiohead is a band that has always survived through change. Their sound has been altered drastically for each album, and while Hail To The Thief does contain moments that remind one of various earlier work, the album as a whole sounds like nothing else in their catalog. It sounds alive, and a little raw, and definately imperfect. It's not quite as pretty as OK Computer, and it doesn't have the mood or the purity of Kid A. What it does have is life. Hail To The Thief is the sound of a band living and breathing and thoroughly enjoying themselves, and it's a little rough in places. So while the sounds may be a bit familiar, the spirit of the album is something that is very new for Radiohead. If OK Computer is a watercolor, and Kid A is an oil painting, than HTTT is a snapshot on a disposable camera. And when you evaluate it on it's own merits, rather than those of it's predecessors, it stands up almost as well as any other Radiohead album. Brilliant, then. I wonder what's next? Expand
  2. Ollie
    Oct 3, 2003
    10
    Wasn't won over by this album at first, but after a few listens you begin to see through its dark surface and uncover the beauty beneath. Standouts are "2+2=5" , "Go to Sleep" , "There There" and "A Wolf at the Door". My personal favourite on the album though, would have to be "Sail to the Moon". I am lost for words to decribe this track's genius in timing!
  3. rpggrrrl
    Feb 7, 2004
    10
    I really had no idea what to expect when I picked up Hail to the Thief, my first ever Radiohead album. I tried them out because I am a giant REM fan, and I heard they toured together and got on quite well. I have to say I'm impressed enough with Radiohead, that I went out and bought their entire back catalog. I am equally pleased that they are not a flash in the pan. After listening I really had no idea what to expect when I picked up Hail to the Thief, my first ever Radiohead album. I tried them out because I am a giant REM fan, and I heard they toured together and got on quite well. I have to say I'm impressed enough with Radiohead, that I went out and bought their entire back catalog. I am equally pleased that they are not a flash in the pan. After listening to the rest of their work I found all but their first album to be top notch if not easy listening. I would only despise them if that were the case. Despair, anger, hurt, confusion, betrayal - these are always interesting emotions to explore, and they bring them alive. Even better, they've got great percussion, fine guitars, and Thom Yorke whose haunting, hypnotic voice I can find few comparisons for - you could just cop out and say his voice is bad, but that would be discounting his skill at using what he knows he's got - and I've heard more revered rock legends who had worse voices (Ian Curtis, Morrisey, hmmm) succeed admirably. If you don't like this album, perhaps you should be listening to something more obscure or more pop. Give it away, sell it, it will easily hook someone else. Any band that can create songs like Bullet Proof, Climbing Up the Walls, Idioteque, Go To Sleep, or Wolf at the Door deserves some recognition. Expand
  4. amadoriv
    Aug 4, 2005
    10
    god
  5. thomasr
    May 25, 2003
    9
    makes more sense and becomes more perfect with each listen.
  6. jackc
    Jun 1, 2003
    10
    incredibly amazing
  7. sirazhtabukov
    Jun 6, 2003
    10
    no comments
  8. NseE
    Jul 14, 2003
    10
    Brilliant stuff. Their best yet. From the dirge like 'We suck young blood', to the snappy 'Where I end & you begin', through to 'A wolf at the door', awesome stuff.
  9. ayeaye
    Mar 12, 2005
    8
    simply an 8
  10. robs
    Sep 2, 2005
    10
    the work of leaders in there field, their music seems to reach in an emotional state of raising feelings that where thought not to be there. how can you not feel when hearing this album???
  11. shaunb
    Dec 7, 2006
    10
    Beautiful. Are people so oblivious as to not ever mention the harmonies on this record. They are some of the most complex positioning ever done. "I Will's" three way harmonizing, "sail to the moon's" last sections weaving motions...It boggles me, it's seldom ever mentioned in reviews. It just goes to show peoples blind neglegence in smashing art they don't understand. Beautiful. Are people so oblivious as to not ever mention the harmonies on this record. They are some of the most complex positioning ever done. "I Will's" three way harmonizing, "sail to the moon's" last sections weaving motions...It boggles me, it's seldom ever mentioned in reviews. It just goes to show peoples blind neglegence in smashing art they don't understand. If ever fools question the new contrabutions Radiohead has brought to the table. Just say the most un Beatlesesque harmonies ever done. Oh yeah, plus their song writing is spot on," Wolf at the Door" is hauntingly beautiful. Great record guys, can't wait to hear the new one. Expand
  12. Hannes
    May 10, 2007
    10
    I love it period
  13. MaxM
    Jun 21, 2007
    9
    This music is different and it sucks that Radiohead is my favorite band because I can't find any music that is similar to it only better.
  14. TheSox
    May 5, 2010
    10
    Awesome
  15. FuqacriticJones
    Oct 15, 2003
    10
    eh, whatever the people who hate a band as soon as they become popular want to say. it's all blah blah blah anyway...this is the best album of the year. bar none.
  16. BrandonSstandsforinitial
    May 19, 2003
    8
    Haunch. This is a great album, I wish they would go back to their pablo honey roots, but thats kinda hard after the awesome ok computer came out. Best song is 2+2=5
  17. rodrigod
    May 20, 2003
    7
    ultimately 'hail to the thief' is another disappointment from what is becoming a tired radiohead stable. the fresh electronica of 'kid a', elaborated on 'amnesiac' has failed to find the new inspiration the band claim to have. too many anonymous fillers, too little of heart they used to have.
  18. AntonisL
    May 31, 2003
    10
    In Brief: Excellent album!!! Judging by the reviews that have been appeared in the Metacritic so far, I really didn't expect from most of "professional reviewers" to treat it fairly. Take NME for instance... their empathy towards Radiohead is well known. While praising Coldplay and insisting that it's the best rock group that exists at the moment (...forgive them Father...), In Brief: Excellent album!!! Judging by the reviews that have been appeared in the Metacritic so far, I really didn't expect from most of "professional reviewers" to treat it fairly. Take NME for instance... their empathy towards Radiohead is well known. While praising Coldplay and insisting that it's the best rock group that exists at the moment (...forgive them Father...), it's Radiohead the ones who wants to take their musical art one step further. In this album they managed to combine the experimental elements of their last two contributions with the straightforward forms of their earlier works (especially The Bends and OK Computer)...it's like the missing link, but truly this album sounds extremely refreshing and modern. Yorke's vocals reveal his maturity as a singer once again, especially in songs like "I Will", where his falsetto should be studied in musical schools. Strong melodies (some even catchy), demanding songs, poetic and emotional lyrics, a magnum opus in general without doubt. I really can't see a failure coming from Radiohead's camp coming any time soon. Listen for yourself and leave the NME crap behind...those guys have proved in the past their inability to foresee the future and appreciate/rate a band/album. Expand
  19. AaronF
    Jun 11, 2003
    8
    This album is good, not great, and definitely not revolutionary. There I said it. That's not to say it is bad, quite the contrary. Basically if you like Radiohead, you'll like this. Just some extra notes: -This album's blend of techno pieces and guitar songs is the best yet (Not that b-side feel you got from Amnesiac). -Speaking of the guitar songs, they are the worst songs This album is good, not great, and definitely not revolutionary. There I said it. That's not to say it is bad, quite the contrary. Basically if you like Radiohead, you'll like this. Just some extra notes: -This album's blend of techno pieces and guitar songs is the best yet (Not that b-side feel you got from Amnesiac). -Speaking of the guitar songs, they are the worst songs on this album, well some of them. Go To Sleep and Scatterbrain just don't really go anywhere. -Speaking of the techno pieces, they are the best songs on this album (for once), well some of them. Backdrifts is possibly the best beatbox Radiohead yet. -This album is the most Thom Yorke centered of them all. Remember how Kid A sounded like Radiohead even if it didn't sound like a rock band. Well some songs on this piece of plastic would not sound like Radiohead if it weren't for those seperation anxiety vocals. -This album features a LOT of piano or keyboard! Thanks for Reading!!! Expand
  20. nathans
    Jun 22, 2003
    10
    Hail to the Radiohead!
  21. BonzaC
    Jun 23, 2003
    8
    A very good album, but there are a few fillers on this album.
  22. StephenB
    Jun 6, 2003
    10
    Pure genius radiohead. They haven't once recorded or released a bad record and this is no exception to that rule. A nice blend of the older, more guitar based songs with some new electro classics like the gloaming chucked in there.
  23. sirazhtabukov
    Jun 7, 2003
    10
    no comments
  24. JoshNobodinows
    Jun 8, 2003
    10
    This is a great cd hands down. However this site needs to add the review of it by www.drownedinsound.com (5/5).
  25. truelove
    Jul 18, 2003
    10
    big fan since pablo honey. impressed with everything since. this one makes my heart swell. i can't wait for more.
  26. DaveJ
    Jul 30, 2003
    10
    Brilliant.
  27. MeyerD
    Jul 7, 2003
    10
    Give it a couple of spins in your CD player, I guarentee that it will become one of your fav CDs!
  28. JoshuaW.
    Jul 8, 2003
    10
    I have never felt anything less than love for any of Radiohead's albums (since The Bends) and this one is no exception. It's a perfect mix of good old rock and the more experimental music from their last two albums. I love this album.
  29. neil
    Jul 9, 2005
    10
    how can music possibly get better than this, each song sounds like no other song ever written, radiohead surely aren''t human
  30. LachlanW
    Apr 5, 2006
    9
    Falls behind Kid A and OK Computer, but this doesn't change the fact that it is an exceptional CD.
Metascore
85

Universal acclaim - based on 26 Critic Reviews

Critic score distribution:
  1. Positive: 22 out of 26
  2. Negative: 0 out of 26
  1. Q Magazine
    70
    As admirable as Radiohead's quest ongoing quest to ignore expectations, tear up the manual and proudly rebel against the limitations of 4/4 time seems, some of Hail To The Thief comes dangerously close to being all experimentalism and precious little substance. [Jul 2003, p.98]
  2. Of course it's political, and of course it continues to merge electronic experimentation with more familiar rock structures; but it employs all those debate-igniting props simply to further the band's more pressing agenda: to tirelessly explore beauty's terrible fragility.
  3. Hail to the Thief is overloaded with miraculous sounds.