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Jan 11, 2019It’s clear that Rogers took her time to create a project that encompassed her journey thus far and is bursting with energy and daring you to dance. More so, she doesn’t stray from slower, emotional ballads like “Past Life”, a track that bears a resounding similarity to early Stevie Nicks, proving the duality of her craft. If anything, this record is a formal announcement: Maggie Rogers is here to stay.
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Feb 12, 2019Her singing provides the album's highlights. The instrumentation and production only serve to accent her voice and sadly often detract from the experience.
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Jan 22, 2019The Kurstin tracks are as irresistible as you’d expect if you know his track record, but the assortment of other co-producers who drift in for a track or two also serve her well and know enough to place the beauty of her voice starkly in the forefront.
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Jan 18, 2019While it sometimes feels like Rogers could be even bolder than she is on Heard It in a Past Life, it's a strong debut that shows how well she's growing into her fame as well as all the dimensions of her music.
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Jan 17, 2019It sticks in the mind for a good while after and just keeps bringing you back in with fantastic production, brilliant pop songwriting and a central personality as easy to like and support as any on the current music scene.
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Jan 17, 2019Rogers rises to the occasion, making herself and her mixture of emotions the anchor of songs whose music moves at an unending pace.
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Jan 16, 2019Rogers never once loses sight of that story [perpetual self-change] on Heard It In a Past Life, and the result is a laser-focused statement with nary a wasted lyric or synth line.
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Jan 16, 2019Rogers is well on her way to inhabit the bright spotlights of stardom with her affecting lyrics, strong vocals, and gorgeous soundscapes of dance floor filling tunes.
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Jan 15, 2019The record finds a way of making her atypical pop sit comfortably in the mainstream, offering something genuinely new. Coming a long way since sitting adjacent to Pharrell in the studio at NYU, Maggie Rogers has certainly found her own voice.
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Q MagazineJan 11, 2019This thoughtfully constructed and often enchanting record manages to mark itself out from the crowd. [Feb 2019, p.110]
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Jan 11, 2019On the intoxicating Heard It In A Past Life, Rogers sounds in love with art, nature and life itself.
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Jan 22, 2019The charts are starved for something real and down-to-earth, and her songs, while heavily produced in comparison to some of her folksier beginnings, have an earnestness to them that can’t be fabricated. Rogers’ career may have first sparked on the internet, but now it’s a fire burning IRL.
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Jan 25, 2019The magic by which we were all spellbound in those early days remains, now augmented by a newfound range of diverse influences. Rogers writes anthems for the modern age, with all the paradoxical feelings of empowerment, anxiety, heartbreak and growth that that entails.
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Jan 25, 2019Rogers is listed as coproducer throughout, but her distinctiveness only comes through when Kurstin and some of his other high-profile production accomplices (Kid Harpoon, Ricky Reed) take the day off. ... In contrast, Kurstin--with Rogers listed as a co-conspirator--swamps many of the remaining tracks in virtual choirs of wordless backing vocals and squiggling, squirming keyboard and synthesizer textures.
Awards & Rankings
User score distribution:
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Positive: 103 out of 122
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Mixed: 10 out of 122
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Negative: 9 out of 122
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Jan 18, 2019
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Feb 13, 2019
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Jan 18, 2019