User Score
8.2

Universal acclaim- based on 146 Ratings

User score distribution:
  1. Negative: 13 out of 146

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  1. Aoi
    Oct 12, 2013
    10
    Amazing album. The Neptune's production on this thing is fun and incredibly well done. It has a particular sounds to it that has certified it's classification as a classic.
  2. Mar 12, 2014
    9
    The absolute pinnacle of street music. Pusha and Malice are mean, lean, and starkly self-aware. All 12 tracks are beautifully produced by The Neptunes. On these beautifully hideous beats, the duo embrace their own ugly side as they trade verses about women, clothes, family, and hustling. As they cover about everything but themselves on Hell Hath no Fury, it makes you start to think there's a reason. Expand
  3. May 8, 2014
    8
    The first standout are the quirky, junique beats. Then its Pusha T all over em, killin it. No Malice is solid, as they compliment each other well. No filler found. Each song is different, and yet it doesn't clash or seem scrambled.
  4. Jan 30, 2014
    10
    Why is it okay for african-americans to be racist and say "Only white people like this album"? If a white person said "only black people can;t understand this music", it would be racist. So, please, drop the double standards and racism. Good music is good music. Kanye and Earl are both big fans of this albums so it doesn't hold up to scrutiny either. But maybe they're not "black enough"...
Metascore
89

Universal acclaim - based on 29 Critics

Critic score distribution:
  1. Positive: 28 out of 29
  2. Negative: 0 out of 29
  1. 80
    It's ghetto viciousness as literary exercise--an episode of The Wire with a better soundtrack. [Nov 2006, p.142]
  2. The best hip-hop album of 2006.
  3. There's a cold efficiency in how the Clipse delivers songs built on street-corner cockiness and billfold bluster. It's all shamelessly amoral, but the Clipse wouldn't be such savvy hustlers if they didn't know how to sling with style.