Hello Everything - Squarepusher
Hello Everything Image
Metascore

Generally favorable reviews - based on 19 Critics What's this?

User Score

Generally favorable reviews- based on 10 Ratings

  • Summary: This is Tom Jenkinson's first new album in two years, and the English electronica artist's tenth disc overall.
Score distribution:
  1. Positive: 10 out of 19
  2. Negative: 0 out of 19
  1. It's certainly not a perfect album, but Hello Everything represents the pinnacle of performance from electronic music's most thoroughly developed mind.
  2. For the most part, this is Squarepusher on full beam and Hello Everything is a thing of unbridled joy.
  3. This is a promising album, one which refines prior approaches and shows what Jenkinson has learned and incorporated into his arsenal in the last few years, presented in a careful, focused package.
  4. There's still signs of the nutso techno loony who prompted NME to invent the term 'drill'n'bass' back in the mid-'90s. [14 Oct 2006, p.35]

See all 19 Critic Reviews

Score distribution:
  1. Positive: 5 out of 6
  2. Negative: 0 out of 6
  1. TyO
    10
    Being a lover of all things Squarepusher, I may be bias. I love this album. I thought that after Ultravisitor, an album that so far broke out of his norm and incorporated so many different ideas that he would have a hard time making ANYTHING fresh. From first track onwards, this is fresh; and definitely worth the buy. Classic squarepusher, yet anew. Props Tom, Props. Collapse
  2. RM
    8
    For some reason this Squarepusher album gets a lot of criticism for not being original. But to be honest I cannot think of any other Squarepusher release that sounds like this (no tracks like Hello Meow, Vacuum Garden for instance). Obviously there are a few things which make Squarepusher Squarepusher, but it seems that a lot of the ranting is about how accessible this album is. And yet when he does release an experimental album like Ultravisitor, that received criticism from some for being too experimental. I think it was the right decision to make a friendly album after mainly experimenting from 1998's Music Is Rotted One Note (I won't mention the poor Selection Sixteen) because, as much as I have enjoyed his work, it is important I think to remind people why we liked Squarepusher in the first place. As for the album itself, I think all of the tracks are of a pretty high standard, with some better than others depending on perosnal preference. It is actually a consistent album and it is a pity that it is criticised because of its concept rather than content. He can do something new on his next album - give him a break and just enjoy the album (I like the Guardians attitude). Expand
  3. AlexA
    7
    Interesting but soulless stuff. "Ultravisitor" was far much better.
  4. mikes.
    4
    Well it seems as if IDM has long past its prime. The new mouse on mars and the new squarepusher are both disappointing and r "old" sounding. IDM is not the future of electronic music, it is history. Expand

See all 6 User Reviews