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And while the story hangs together quite well, the main impression you are left with is that Byrne and Slim have impeccable taste in female singers.
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That the result is largely "light" listening works against it to a degree, but the idea that such a sound was entirely Byrne's intent forgives even this. It's not often that a purely musical work can make us see a historical figure in a new light, but Here Lies Love is a fascinating exception.
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Q MagazineHere Lies Love stacks up as an oddly entertaining, off-beat treat. [May 2010, p.126]
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Here, Byrne's well-plotted tunes can rule, and Norm can keep himself in the background, going against his natural tendency to overstuff.
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It's a conceptually fascinating piece, but does it groove? Mostly yes. Though nothing here sounds like a future club hit, and some tracks feel more essential to the album's narrative than others, Here Lies Love has more going for it than museum-piece fascination.
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With multiple narrators voiced by a plethora of singers, it's hard to follow which character is speaking at any given time. Extensive liner notes clear up the confusion, but it feels like a lot of work for an album that's not particularly revelatory in either music or story.
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While the relentlessly breezy vibe ?occasionally drifts into numbness, Marcos' story remains fascinating, especially as sung by the likes of Cyndi Lauper, St. Vincent, and Santigold.
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Here Lies Love is a sumptuous two-disc feast of harmony, melody, and Latin-accented grooves that the Studio 54-loving Marcos herself would likely appreciate.
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Luckily, scholarship doesn't eclipse the limber, catchy music and the sheer nuttiness of the whole project.
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On his collaboration with Fatboy Slim (a.k.a. Norman Cook) on the story of Imelda Marcos, Here Lies Love: A Song Cycle About Imelda Marcos & Estrella Cumpas, Byrne gets bogged down in the fertile ground of his boundless imagination.
User score distribution:
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Positive: 10 out of 11
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Mixed: 1 out of 11
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Negative: 0 out of 11
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Feb 8, 2013