Metascore
81

Universal acclaim - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 18
  2. Negative: 0 out of 18
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  1. 100
    Like Randy Newman, the Mael brothers have a knack for voicing the hopes and regrets of diverse, sometimes unsympathetic characters; and the latitude afforded by their operatic arrangements allows them to add commentary in real time, like an instrumental Greek chorus.
  2. Aug 18, 2017
    100
    Hippopotamus is exactly what you’d expect and more besides.
  3. Sep 12, 2017
    89
    It may rank as one of their best outings yet, as its multifaceted compositional creativity, coupled with its consistently fetching melodies and words, makes it a thoroughly impressive and engaging listen. As always, Sparks shows its stylistic siblings how it’s truly done.
  4. The Wire
    Oct 11, 2017
    80
    The result is an album which will satisfy fans of all the band’s distinct phases without necessarily ingratiating itself to anyone. [Oct 2017, p.61]
  5. Sep 12, 2017
    80
    Even when the subject matter starts out a little more sober, their unflagging wit isn’t far away.
  6. Sep 12, 2017
    80
    The Mael brothers also manage to keep listeners enthralled by freely jumping between modes, moving between jaunty piano songs ("Missionary Position"), cascading layered guitar burners ("Unaware") and clever melodies and bridges ("Giddy, Giddy").
  7. Sep 11, 2017
    80
    Pure vaudeville, pure theatre--and pure Sparks.
  8. Sep 11, 2017
    80
    While not every song is as successful--Mrs Lincoln… doesn’t make quite enough of a very old joke (compared to, say, …Beethoven’s How Do I Get to Carnegie Hall?), and A Little Bit Like Fun is a little bit slight--these are trifles; Hippopotamus is a big, joyous beast of an album.
  9. Sep 7, 2017
    80
    For anyone yet to experience the Maels’s unique charms, their best album in decades is as good as any place to start.
  10. 80
    Hippopotamus feels like the latest volume in an alternate cultural history formed of all the weird things that only Sparks are audacious enough to make songs about. It’s an admirable commitment to silliness.
  11. Mojo
    Aug 22, 2017
    80
    Hippopotamus is never anything less than wildly entertaining. [Oct 2017, p.88]
  12. Aug 18, 2017
    80
    Sparks show a knack for succinctly exposing quirky Americanisms while getting is all to happily sing along. [Jul - Sep 2017. p.60]
  13. Uncut
    Aug 18, 2017
    80
    The Maels' spectrum of tried-and-true on Sparks Album No 25 is wide and rich enough to provide no end of delights. [Oct 2017, p.39]
  14. Sep 13, 2017
    71
    The Sparks catalog does not lack for unpleasant characters or situations, but existential anxiety rarely comes through this overtly.
  15. Sep 11, 2017
    70
    If you've never liked Sparks, Hippopotamus isn't likely to convince you otherwise, but as a band that seems perversely proud of being an acquired taste, this album shows Sparks are still in fine fettle, and this should delight their loyal fan base.
  16. 70
    Clever, articulate and big dumb and sparkly, the Mael brothers are still pulsating, foot to the floor, full throttle.
  17. Sep 5, 2017
    60
    The result is more tacky than glam. If you’re in it for the jokes, Hippopotamus is worth the effort.
  18. Q Magazine
    Aug 29, 2017
    60
    Ultimately, floating voters will lament the lack of a flat-out glam and/or electro-disco belter to rival their hits. [Oct 2017, p.111]
User Score
7.4

Generally favorable reviews- based on 16 Ratings

User score distribution:
  1. Positive: 12 out of 16
  2. Negative: 3 out of 16
  1. Sep 13, 2017
    10
    SPARKS has spanned a career over 40 years and they still find some exciting territories in Pop music..
    SPARKS the only Pop definitive Group
    SPARKS has spanned a career over 40 years and they still find some exciting territories in Pop music..
    SPARKS the only Pop definitive Group .... go on Maels.
    Full Review »
  2. Oct 1, 2017
    7
    This has all the earmarks of a great Sparks album - the music varies from classical to pastoral to downright wacky, likewise the lyrics; RonThis has all the earmarks of a great Sparks album - the music varies from classical to pastoral to downright wacky, likewise the lyrics; Ron Mael's keyboards are as interesting as ever, and brother Russell's voice practically the Dorian Gray of pop/rock. So why does this fall flatter than usual with me? Because the guys made the mistake of making that album with Franz Ferdinand first, and it rocked like a **** and challenged everybody, performers and listeners alike. Compare that to the last minute of "The Missionary Position" here, which, despite its kooky charm, basically vamps on the last chord change over and over for too long at the end before petering out, and you get the disappointment. As a matter of fact, that's how several of the songs here end. "Giddy Giddy" lives up to its name, and "What The Hell Is It This Time" is a pumping good time for a song about leaving God the hell alone, but elsewhere the guys are victims of the high bar they themselves have set for 40 years. When Russell sings "I wish you were fun," I can't help but think that I wish they were funner. Full Review »