Summary:The 14th full-length studio release for the singer-songwriter features contributions from Paul Epworth, Sky Ferreira, Terrell Hines, Greg Kurstin, Chris Martin, and Pharrell Williams.
A joyfully introspective, minimalistic but sophisticated, contagiously melodic, straight-ahead, analog synth-pop record with a fleeting few of old school Beck’s signature touches — a few raps here, some dobro and harmonica there. ... Gorgeous.
For all of his vigor for partnership, is a solitary classicist, a singer-songwriter wrestling with the dynamics of desire and emotional commitment. Hyperspace is grounded in that realism.
The sound of the otherworldly sci-fi R&B that's released when psych country singer-songwriter and a future-pop production legend bond at molecular level. [Jan 2019, p.86]
Overall, in spite of its goofy throwback artwork and the presence of Pharrell Williams, Hyperspace belongs on the shelf closest to Sea Change. There are more clunkers here than on that classic, but it feels similarly honest and world-weary.
Beck never lingers upon either his melancholy or his celestial flights of fantasy: they exist simultaneously, resulting in a tremulous and pretty soundtrack for moments of fleeting introspection.
When he strips everything else away and zeroes in on penning a purely gorgeous song, you can hear the spark that has made him one of the most consistent and creative mainstream artists of the past 25 years. It’s still in there, sometimes you just have to travel through Hyperspace to find it.
Beck’s 2006 album The Information is a better example of his unrivaled funhouse approach to style and tone: By blending techno, folk, punk, hip-hop, Krautrock, blues, ambient, and groove-oriented rock, that album is by turns strange, aggressive, hilarious, disturbing, eerie, and fun, all while expressing wry dismay over our current cyber-Armageddon. In comparison, and for all its apparent now-ness, Hyperspace feels inconsequential and incomplete.
This is something new. I didn’t expect to get so much energy from space. With every song you plunge into this atmosphere.
There are no songsThis is something new. I didn’t expect to get so much energy from space. With every song you plunge into this atmosphere.
There are no songs that stand out, which speaks of the real integrity of the album. Well, the sound effects are just wow.…Expand
Excellent album. Picks up where Colors left off. Nice mix of electronic and genres/themes Beck has been working in for his entire career.Excellent album. Picks up where Colors left off. Nice mix of electronic and genres/themes Beck has been working in for his entire career. Lyrics are reflective, mature and emotionally resonant…Expand
I would give Hyperspace an 8.5/10. On his new album, Beck takes the R&B, trap-influenced pop, and 80s pop genres, all of which he has dabbledI would give Hyperspace an 8.5/10. On his new album, Beck takes the R&B, trap-influenced pop, and 80s pop genres, all of which he has dabbled in before, and turns them up to 10. He does cover some new ground, such as chillwave. As always, Beck’s songwriting is magnificent; the album contains some of his best songs since Morning Phase (see “See Through,” “Hyperspace,” and “Star”). The sounds are ethereal and beautiful, yet melancholy. The lyrics are often quite bleak, examining the dark sides of interpersonal relationships, society, and existence. Fans will recognize this grim tone from some of the singer/songwriter’s previous albums, such as The Information and Modern Guilt. The retro, otherworldly, 80s/chillwave synthesizers create the impression of being in a dream which might turn out to be a nightmare or watching a dystopian science fiction movie. My main criticism of the album is that the first half, though good, is not as strong as the second half, which is amazing. If Beck had placed more robust songs on the first half of Hyperspace or made the album more consistent and cohesive front-to-back, then perhaps it would have been a classic, rather than just another great album from the artist.…Expand
Beck’s Hyperspace has some great moments - moments of pure dream-pop brilliance (the wonderful “See Through” and “Die Waiting”), introspectionBeck’s Hyperspace has some great moments - moments of pure dream-pop brilliance (the wonderful “See Through” and “Die Waiting”), introspection weaved into lovely melodies (the pleasant finale “Everlasting Nothing”), and clever odes to the Vaporwave sound and aesthetic. However, the album is at times a confusing and messy listen, particularly due to breaks in sonic and thematic cohesiveness (i.e. the strange and clumsy Western-tinged “Saw Lightning”). All in all, however, the high points of Hyperspace outweigh the low, and make it worthy of any music lover’s attention.…Expand
Hyperspace isn't a masterpiece, and it's fair doesn't waiting nothing like another "Mellow gold" or "Odelay", but it's a bigger step comparedHyperspace isn't a masterpiece, and it's fair doesn't waiting nothing like another "Mellow gold" or "Odelay", but it's a bigger step compared to Colours because Beck returns with his always bending of styles, such as soft rock, folk, vaporwave, rap, blues and a blow of trap.…Expand
There are some funky and great moments here. Others sound like highly elevated elevator music, maybe I just need a few spins around the sunThere are some funky and great moments here. Others sound like highly elevated elevator music, maybe I just need a few spins around the sun on this one but it is contemporary and fresh. If you are a rock fan you will find acid phases of electric drum, guitar, synth, even stadium like anthem material but not songs. Sorry difficult to describe this one other than 80s style rhythms with high end modern, sometimes hip-hop /country production that has caught on fire lately.…Expand