I Am A Bird Now - Antony and the Johnsons
Metascore
88 out of 100

Universal acclaim - based on 30 Critics

Critic score distribution:
  1. Positive: 30 out of 30
  2. Mixed: 0 out of 30
  3. Negative: 0 out of 30
  1. I don't know when a voice touched me as wholly as Antony's does.
  2. 100
    This is tough, honest, uncompromising beauty and the next great voice in music. [Apr 2005, p.86]
  3. I Am A Bird Now is a beautiful, emotive, glorious, and sometimes sinister album that will top many a critic's list come the end-of-year polls, and justifiably so.
  4. Whereas Antony and The Johnsons was a stark, chilling affair that was arresting and perhaps a little disconcerting, this album is a shining beacon of hope and healing amidst ceaseless pangs of heartache and loss.
  5. 91
    Scarily intimate and irresistibly beautiful. [Mar 2005, p.92]
  6. This will surely be counted as one of the most remarkable, individual, and adorable albums of the year.
  7. As whole, the record is hardly notable for its special guests; the beauty of Antony's singing, the ferociousness of his delivery, the profundity of his songs, and the unflinching nature make the disc truly transcend such.
  8. A profoundly emotional, uncynical brand of songwriting that showcases Antony's obsession with nature.
  9. I Am a Bird Now is a sweet, sumptuous brace of noir-laced cabaret pop, distinctly out of step with just about every other album released this year.
  10. This could have been camp on a Himalayan scale. Its strength is that it's anything but. [#255, p.51]
  11. The whole of the album is stunning and unique, and if the thematic gender-bending core of the album makes a few people ideologically shy away, then it's truly a shame.
  12. With this second full album, the singer and songwriter stakes a claim on a unique and fascinating turf, a sort of avant-cabaret musical theater that embraces a David Lynch-like moodiness and experimental-folk mystery, intimate confession and theatrical grandeur. [20 Mar 2005]
  13. The ultimate draw is Antony's voice, and within the first two seconds of the album, it should be very clear to even the most unaware newbies that Antony has an amazing Nina Simone/Brian Ferry/Jimmy Scott vibrato, a multi-octave siren that would sound painfully lovely no matter what he was saying. Lucky for us, he fills that promise with worthy syllables.
  14. It could have been mawkish, but the sentiments--and Antony's trembling falsetto--are so honest, you love it despite your jaded self. [4 Feb 2005, p.133]
  15. 80
    His voice must be heard to be believed. [Apr 2005, p.105]
  16. His simple, unadorned songs of longing, belonging and love are so striking that contributions from such distinctive guests... pass almost unnoticed. [Apr 2005, p.118]
  17. Even in duets with [Wainwright and Boy George], Antony is the dominant voice of solitude and agonized waiting. [10 Feb 2005, p.84]
  18. Majestic while confronting his mortal fears on the gospel-hued Hope There's Someone, childlike and life-affirming on For Today I Am a Boy, he is never less than a class act.
  19. Antony flourishes like a rare orchid in a New York hothouse, brandishing his voice like so many delicate petals. [#14, p.120]
  20. Antony has found a voice that expresses what it feels like to be trapped in that gray area between misery and rage.
  21. I Am A Bird Now is a beautiful-sounding record, and though it doesn't contain anything as remarkable and emotionally piercing as the debut's "Cripple and the Starfish," it nonetheless reveals a band and lead artist refining a musical universe populated by drag queens, cabaret dancehalls and a tolerant and open community.
  22. The true star is Antony's raw, emotional voice, one in which you can almost hear actual feelings being conveyed.
  23. You get the impression that the artist is truly a giving soul, even if his gift is in the form of an emotionally wrenching, uncomfortably confessional record.
  24. Antony's musical presence haunts and hypnotizes long after he's left the stage.
  25. Antony and the talented Johnsons brilliantly evoke the grandeur and dolor of cocktail hour ennui.
  26. For what it lacks in consistency, I Am A Bird Now gains in being, even at its most tedious of moments, an interesting and thematically compelling listen.
  27. Guaranteed to leave you speechless, one way or another. [12 Mar 2005, p.58]
  28. 70
    These bluesy spirituals are so raw they bleed. [Mar 2005, p.136]
  29. Not only is his willingness to express emotion commoner than indie denizens imagine, his failure to undercut that emotion with irony or humor is a spiritual weakness.
User Score

Universal acclaim- based on 228 Ratings

User score distribution:
  1. Negative: 25 out of 166
  1. 10
    This album is simply one of the most beautiful listens I have had in quite some time. Antony's voice is uniquely breath-taking, and the lyrical content is both raw and deeply meaningful. Just wonderful! Full Review »
  2. JohnM.
    5
    The voice is remarkable - the songs are not. The relentless focus on Antony's gender issues is just tiring - what is initially touching becomes beaten down after awhile. It would probably be just as irritating if it was heterosexual and so narrowly focused, for those ready to claim bias. Bottom line: everyone should listen to this album once and know this voice exists, but unless you find yourself connecting personally with his sense of being ostracized, it is mostly a curiosity. Full Review »
  3. Jan
    10
    An outstanding beautiful voice, very good instrumentalists and some unbelievable touching lyrics. I like to listen to this songs a real lot from time to time. 10 points from me. Full Review »