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The slower tracks don't match up to their opposites, or even the bittersweet midtempo cut 'Alienated,' but they're not enough of a snag to prevent the album from being one of 2009's most replayable R&B releases.
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On her album debut, the 26-year-old singer/songwriter lays her vocal and writing skills over boom-bap productions for a set that is delightfully flirtatious, heartfelt and full of diva antics.
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BlenderShe's been kicking around the industry a few years--she cowrote Britney's 'Gimmee More'--but she still comes across as fresh on her long-delayed debut.
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A seductive debut CD full of slick, radio-friendly cuts.
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All that star power can leave little room in these futuristic R&B songs for Hilson, whose sturdy but unremarkable voice rarely transcends its role as a melody-delivery device.
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It’s a bit melodramatic in places and maybe a touch too hip for its own good.
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As a debut, In a Perfect World... does show promise amongst several solid songs and is a proper introduction, but a more distinct line between Hilson as a songwriter and Hilson as an artist will be needed to make the next album more engaging and fresh.
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Q MagazineAt her best she's thrilling and her hits with Timbaland, 'The Way I Are' and 'Scream,' still cackle brilliantly, but at 70 minutes there's too much flab and the ballads drag horribly. [Jul 2009, p.124]
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Hilson's halfway there--she just needs a lil' more personality.
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Perfect World is merely passable, and Hilson needs to do much more than pick fights with Beyoncé to justify her transition from hook girl to solo star.
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Her fresh attitude eventually gets lost in a slew of downtrodden ballads that sink the album's second half. In other words, business as usual.
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Ms. Hilson is clobbered on all sides by ornate production.
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Ultimately, Hilson’s debut is simply okay, not quite the sum of its parts. She has the right juice. Now it’s just a matter of how to keep it flowing.
User score distribution:
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Positive: 53 out of 63
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Mixed: 6 out of 63
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Negative: 4 out of 63
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AzizioMay 25, 2009
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Jul 7, 2016
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Apr 10, 2013