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To be sure, In Ghost Colours is a triumph of craftsmanship rather than vision--a synthesis and refinement of existing sounds rather than anything dramatically new and original--but it is an unalloyed triumph nonetheless, and one of the finest albums of its kind.
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Although In Ghost Colours is certainly a step up in terms of how cohesive it sounds, it loses some of the spontaneity in the process.
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Alternative PressIf you're looking for a little warm blood pumping through the veins of your dance music, as opposed to the droning and repetitive beat sketches plaguing a lot of the genre, this is just about ideal. [May 2008, p.146]
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The way In Ghost Colours exploits my affection for synth pop and empty, detached vocals, I should be knocking down Dan Whitford’s door trying to get a strand of hair, but the album unfortunately loses its resonance on subsequent listens, its sheen lessening to a duller shade with each closer inspection.
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From start to finish this is an unexpected adventure through the crossover, leaving the door of the VIP bunker open for us all to sneak in.
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Entertainment WeeklyFor every pump-your-fist gem like 'Hearts of Fire,' there's a lifeless cut like the clanky 'Silver Thoughts.' [25 Apr/2 May 2008, p.117]
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FilterThe group's music is ghostly and ethereal, creating a sonic wall that is set against some of the lovelist, shimmering retro-electro-disco you've ever heard. [Spring 2008, p.102]
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In Ghost Colours finds the band brimming with confidence, delivering their catchy choruses and synthesizer hooks with a conviction that's difficult to resist, staying true throughout to a groove that fits in with early house music.
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In Ghost Colours achieves its success by striking the right balance between its competing genres--rock and electronic--without sacrificing either.
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Regardless of what kind of audience it ultimately finds, though, In Ghost Colours earns its smiles with a combination of ingenuity and easiness that you don't often come by, and for that, even in April, it already feels like a triumph.
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Their material takes that blog-house aesthetic and turns it into pieces of well-constructed pop.
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With In Ghost Colours, Cut Copy have created a record that is both en vogue and timeless, familiar yet fresh, full of glossy optimism, and unforgettably gorgeous from start to finish.
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With songs this hooky, it's impossible not to enjoy Cut Copy's lush new-wave revival. [June 2008, p.106]
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Ghost Colours sounds like Depeche Mode on Lorazepam--dramatic, well enunciated and full of arpeggiated synthy goodness.
Awards & Rankings
User score distribution:
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Positive: 72 out of 80
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Mixed: 3 out of 80
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Negative: 5 out of 80
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May 17, 2013
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Jun 20, 2011
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Aug 12, 2010