- Critic score
- Publication
- By date
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The New York TimesWeird and catchy and unexpectedly funny. [11 Oct 2004]
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Equal parts heavenly aural relief and blood tripping, screaming noise.
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BlenderThey've given up on ugliness for its own sake, trading it in for prettiness, which allows McCracken to rest his throat. [Oct 2004, p.128]
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Entertainment WeeklyBoth artier and more accessible. [1 Oct 2004, p.74]
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Continues to straddle the line between street credibility and mainstream success.
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Q MagazineFor the most part, it's standard shouty punk designed to appeal to white male American virgins... Yet, they surprise. [Dec 2004, p.147]
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The songwriting is all too callow at times, but McCracken's earnest moments suggest classic-rock romanticism rather than the cathartic self-pity of similarly worked-up young 'uns.
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Songs of self-abuse and suicide - and those are the sunnier moments - are wrapped in wailing riffs, big choruses and fiddly guitar solos.
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Though its heart is eventually lost amidst the guiding elements of the genre, the Used's In Love and Death does make some impressive moves away from those very same tenets, showing some welcome restraint and even some rocktastic energy.
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New Musical Express (NME)Self-loathing, self-pitying, self-centered, bad-tempered American rock. [6 Nov 2004, p.59]
Awards & Rankings
User score distribution:
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Positive: 44 out of 52
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Mixed: 4 out of 52
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Negative: 4 out of 52
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Dec 19, 2015
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Feb 20, 2012
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Sep 21, 2011