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- Summary: The 12th full-length release for indie rock band led by Dan Bejar was was produced by Josh Wells of Black Mountain.
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- Record Label: Merge
- Genre(s): Pop/Rock, Alternative/Indie Rock
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Tinseltown Swimming in Blood | |
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Blood Destroyer Eminem Rhyming With Orange Is Lil Uzi Vert Hip-Hop's Marilyn Manson? Starset Breaks Down "Monster" Ella Vos Performs Bon Iver's... | See the rest of the song lyrics |
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Score distribution:
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Positive: 17 out of 22
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Mixed: 5 out of 22
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Negative: 0 out of 22
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Oct 19, 2017A set of songs seething with dark knowledge, as Bejar peeks behind the curtain of appearances in search of underlying motivations.
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Oct 25, 2017This album scales back significantly from the relative bombast of the grand Poison Season in favor of a more intimate, simple setting. Stranding himself nearly alone--aside from longtime collaborator Josh Wells--Bejar hunkered down to record the simultaneously unconcerned and emotional splash that is ken.
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Oct 19, 2017It dispenses cautionary maxims through passages of heavy guitar distortion and sleeker moments of acoustic guitar and synths. Taken together, his typical existential outlook combined with a heavier presence of New Order-like industrial timbres make this a somewhat darker album, but still delightfully Destroyer.
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Nov 15, 2017Comfortably surpassing Poison Season, ken is hugely listenable throughout, and with so many ‘80s touchpoints in evidence, it often sounds like it could actually have been made at that time. Which, despite the uneducated blindly condemning the decade due to its considerable amount of cheese and big hair, is no bad thing.
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Oct 20, 2017Like one of Lynch’s filmic worlds, ken is elegant and perverse, a reflection on where we came from, and the unbelievable place we seem to have ended up.
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Oct 20, 2017Overall, ken is one of Destroyer’s most accessible albums. It features nary a song over six minutes and several under three, its sounds are compact and crisp, and its arrangements are clever and cohesive.
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Oct 20, 2017The lyrics can’t support the music, and vice-versa. That’s not to say there aren’t some great moments for people who’ve been following Bejar’s work--“Ivory Coast” and much of the second half of the record have a lot of noteworthy moments, in both their musical adventurousness and lyrical successes. But the interplay between flatness and richness that Bejar describes as integral to his lyrics--and that can be extended to its interplay with his music--isn’t here a lot of the time.
Score distribution:
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Positive: 3 out of 4
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Mixed: 1 out of 4
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Negative: 0 out of 4
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Oct 23, 2017
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Oct 21, 2017
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Oct 21, 2017
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Nov 2, 2017
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