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Ken Image
Metascore
78

Generally favorable reviews - based on 22 Critic Reviews What's this?

User Score
8.1

Universal acclaim- based on 27 Ratings

  • Summary: The 12th full-length release for indie rock band led by Dan Bejar was was produced by Josh Wells of Black Mountain.
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Tinseltown Swimming in Blood
Blood Destroyer Eminem Rhyming With Orange Is Lil Uzi Vert Hip-Hop's Marilyn Manson? Starset Breaks Down "Monster" Ella Vos Performs Bon Iver's... See the rest of the song lyrics
Score distribution:
  1. Positive: 17 out of 22
  2. Negative: 0 out of 22
  1. 100
    A set of songs seething with dark knowledge, as Bejar peeks behind the curtain of appearances in search of underlying motivations.
  2. Oct 25, 2017
    80
    This album scales back significantly from the relative bombast of the grand Poison Season in favor of a more intimate, simple setting. Stranding himself nearly alone--aside from longtime collaborator Josh Wells--Bejar hunkered down to record the simultaneously unconcerned and emotional splash that is ken.
  3. Oct 19, 2017
    80
    It dispenses cautionary maxims through passages of heavy guitar distortion and sleeker moments of acoustic guitar and synths. Taken together, his typical existential outlook combined with a heavier presence of New Order-like industrial timbres make this a somewhat darker album, but still delightfully Destroyer.
  4. Nov 15, 2017
    80
    Comfortably surpassing Poison Season, ken is hugely listenable throughout, and with so many ‘80s touchpoints in evidence, it often sounds like it could actually have been made at that time. Which, despite the uneducated blindly condemning the decade due to its considerable amount of cheese and big hair, is no bad thing.
  5. Oct 20, 2017
    79
    Like one of Lynch’s filmic worlds, ken is elegant and perverse, a reflection on where we came from, and the unbelievable place we seem to have ended up.
  6. Oct 20, 2017
    75
    Overall, ken is one of Destroyer’s most accessible albums. It features nary a song over six minutes and several under three, its sounds are compact and crisp, and its arrangements are clever and cohesive.
  7. Oct 20, 2017
    50
    The lyrics can’t support the music, and vice-versa. That’s not to say there aren’t some great moments for people who’ve been following Bejar’s work--“Ivory Coast” and much of the second half of the record have a lot of noteworthy moments, in both their musical adventurousness and lyrical successes. But the interplay between flatness and richness that Bejar describes as integral to his lyrics--and that can be extended to its interplay with his music--isn’t here a lot of the time.

See all 22 Critic Reviews

Score distribution:
  1. Positive: 3 out of 4
  2. Negative: 0 out of 4
  1. Oct 23, 2017
    10
    user "jungstir" review before mine is extremely misleading. the first half of this album is not acoustic in any way! A few acoustic guitarsuser "jungstir" review before mine is extremely misleading. the first half of this album is not acoustic in any way! A few acoustic guitars pop up at various points throughout the album, but it's certainly not limited to the first half. The sound is consistent throughout this record. It definitely has a UK/Euro 80s throwback vibe to it, but its true heart (like Poison Season before it) lies squarely in the light, sophisticated sonic journey begun in earnest with Kaputt, which is when Destroyer arguably found his sound.

    Saxes and muted trumpets appear occasionally; layers of electric guitars sometimes sound so wet and smeared they resemble foggy horn sections. Destroyer music always plays well in nice weather and this is no exception, despite its grey sky vibes. No matter its influences or goals it marries everything to the aforementioned trademark Destroyer sound.
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  2. Oct 21, 2017
    8
    ken is a rather interesting album. While I'm not as familiar with Destroyer's past work outside of the New Pornographers and his last albumken is a rather interesting album. While I'm not as familiar with Destroyer's past work outside of the New Pornographers and his last album Poison Season, which has been a while, I'm not sure if ken is representative of his other work, especially coming off of Poison Season because it's a total throwback to gothic 80s post-punk, particularly the Cure. Like it is kind of scary how super similar the instrumentation and production sounds like it would have been on a Cure album in the 80s. Which isn't a bad thing. Not at all. The album has this eerie tone and atmosphere that is complimented by beautiful spaced out guitar work that just adds to the overall vibe and mood. While some listeners might be thrown off by how relaxed and low-key the album can be, and people new to Destroyer might not like Dan's vocals, which sound like an odd mix of Bowie and Marc Bolan (I dig it), dig deeper and there is more to enjoy, especially with the lyrical content matching so well to the overall mood. Expand
  3. Oct 21, 2017
    7
    Destroyer unabashed and unafraid. 1st half acoustic and the more enjoyable latter half fully electronic with fine guitar riffs and memorableDestroyer unabashed and unafraid. 1st half acoustic and the more enjoyable latter half fully electronic with fine guitar riffs and memorable keyboards with David Bowie like vocals. Truly Destroyer has loyal fans and always delivers. Expand
  4. Nov 2, 2017
    6
    The musicians had a nice clean slate approach that came through with sharp texture changes and prominent guitar effects, but without muchThe musicians had a nice clean slate approach that came through with sharp texture changes and prominent guitar effects, but without much pleasantry or color the sound wasn’t overwhelmingly successful and didn’t deserve to be the crux of the entire work, as the songwriting suffered from being ordinary and awkward despite keeping a basic level of interest. My Score: 118/180 (Good) = 6.5/10 Expand

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