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Sep 6, 2011Throughout, Fool's Gold lollop along confidently, Top's husky croon offset by Lewis Pesacov's guitar lines, like dewy spider's web.
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Sep 6, 2011Throughout, Fool's Gold lollop along confidently, Top's husky croon offset by Lewis Pesacov's guitar lines, like dewy spider's web.
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UncutAug 18, 2011These 10 supple, radiant songs blur the boundaries between African pop an funky American new wave with the same glorious ease as Talking Heads' Speaking in Tongues. [Sep 2011, p.84]
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Sep 12, 2011Refined into a quintet after two years of touring, the band broadens its appeal on Leave No Trace, threading the needle between the Sahara and the synth-heavy romanticism of 1980s New Wave.
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Sep 2, 2011Leave No Trace favours synths over horns – in fact, it's not until about ten minutes in that we get our first taste of brass - and whilst the sound is still impressively full-bodied, without the continuous stream of interwoven saxophone and trumpet solos that made its predecessor such a joyous affair it feels pretty empty in comparison.
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Aug 18, 2011Leave No Trace exemplifies Fool's Gold's versatility, a trend that will hopefully continue on future albums.
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Aug 17, 2011Maybe Vampire Weekend is African-inspired indie rock and Fool's Gold is indie rock-inspired Afro-pop, but it's hard to deny their similarities.
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Aug 17, 2011The result is a joyous and soulful collection of summery pop songs and urgent sun-drenched ditties that grow with you over time.
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Aug 24, 2011There's a lot more discipline present on the band's second album, Leave No Trace, but it's not clear if that's an encouraging development.
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Aug 17, 2011Fool's Gold knot their songs up in Lewis Pesacov's elastic guitar, and when they let it go-as in the closing moments of "Bark & Bite"-everything unwinds into bliss.
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Aug 22, 2011In other words, Fool's Gold made a Foreign Born record.