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Under The RadarMar 4, 2014Pushing away the froth and frivolity, they leave a darker, more satisfying, and ultimately superior record in their wake. [Feb/Mar 2014, p.74]
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Apr 17, 2014Love Letters proves to have all the pop addictivenss that Riviera did.
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MojoMar 21, 2014Instead of dynamism there is a defiantly "demos" feel to tracks that makes for a charming, fat-free album. [Apr 2014, p.96]
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Q MagazineMar 14, 2014Mount's intoxicating amalgam of past and present is the real thing. [Apr 2014, p.114]
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Mar 11, 2014This contrarian impulse ultimately makes things more interesting, but Mount's decision to record at Toe Rag--the all-analogue Hackney studio made famous by The White Stripes and Billy Childish--imbues the songs with an archaic, lived-in feel that takes some getting used to, and you'd be forgiven for being underwhelmed by your first listen. Bear with it, however, and that feeling will turn to pleasant surprise.
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Mar 11, 2014Confessional and insular, Love Letters is the work of a band willing to take pop success on their own terms and reveal a different--but just as appealing--side of their artistry in the process.
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Mar 7, 2014The sonic thinness which seems inherent to Mount remains his limiting weakness, and modest strength.
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Mar 7, 2014Love Letters isn't the next move many expected from Metronomy following the astute pop of English Riviera, but it's a logical move and likely the best one possible for a band as imaginative, unconventional and talented as this one.
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Mar 7, 2014Metronomy have stepped up from the mantle of electro-pop, and matured into the sort of band that endures. Excitingly still, they leave us with no idea where they’ll go next.
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Mar 6, 2014What was once an instrumental electronic project has now, in the hands of Joseph Mount, become an inventive, layered, modern pop act, perfectly capable of standing on its own and defending its place among the genre’s very best.
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Mar 5, 2014Its lack of slickness and idiosyncrasies are where its charm lies.
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Mar 4, 2014The radical variation on this album speaks volumes--this casting respect to yesteryear twisted with the juices of his modern imagination--and if ‘The English Riviera’ was Mount at his most accessible, then Love Letters finds him at his most inventive.
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Mar 4, 2014Love Letters is great. There’s potential here, and it feels like it had the ability to be a nigh-on perfect record, but for reasons obscured--probably the brick-subtle lo-fi-ness--it feels unfinished. It’s like a final draft.
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Mar 4, 2014If The English Riviera was a lovingly weaved ode to a vibrant utopia, Love Letters, its predecessor and Metronomy's fourth full-length offering, is a return to the same shores, but under much darker skies.
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Mar 17, 2014Love Letters may not guarantee that Metronomy are the kings of their sound, but they still have a seat at the table.
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Mar 10, 2014Despite the growth it signifies for Mount, and the candor with which he delivers it, Love Letters is so lightly sketched that it never fully engages on a gut level.
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UncutMar 7, 2014The rest can't quite match this opening brace ["The Upsetter"], but there are gems throughout. [Apr 2014, p.75]
User score distribution:
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Positive: 42 out of 53
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Mixed: 9 out of 53
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Negative: 2 out of 53
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Jul 13, 2016
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Feb 20, 2015
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Jun 2, 2014