Aug 11, 2014LP1 takes the humid isolation of Twigs’ EP1 and EP2 and twists it into ten tracks of relationship Hail Marys. But there’s a subdued sense of strength running under Barnett’s pleas that translates into a dark confidence, and in that tension is where LP1 finds its best moments.
Positive: 18 out of 18
Mixed: 0 out of 18
Negative: 0 out of 18
Aug 12, 2014"LP1" is one monumental debut in Pop music, the poster child [reminiscence] of the Björk's- Aaliyah's and Portishead's delivers with a more complete experience than ever!
"I love another, and thus I hate myself" are the on-going words for the opener "Preface". Words directly brought out from a poem by Sir Thomas Wyatt, and formally based upon, conceptually that is the placement of this album over some experimental and soul[ed] production and lyrics.
From heavenly beginnings, the deeper the cuts plays on the more pattering, heavy and haunting the music goes.
The visually Queen of the Damned, ancient Egyptian inspired leading single of off the LP, "Two Weeks", (and this years most refreshing tune) features her most breathy, melodic, straightforward realm but also capturing a catchy and interesting both sonically- vocally performance of what contemporary Pop/R&B on the radio been missing. A power ballad, though rawer and more vivid than others with it's desperate "Pull out of the incisor, give me two weeks/You won’t recognize her/Mouth open you're high; Motherf**ker, get your mouth open you know you’re mine; I can f*ck you better than her" all sung in a hypnotizing and soulsucking sensual falsetto ontop of extravagantly- dazzling and bombastic instrumentals.
The minimalistic touch and climaxes of previous work continues a way on here, tracks like the 'not so present now', heartbreaking, lonely and the polishing verse-to-verse melody of fellow UK artist Rita Ora's "R.I.P", "Pendulum" whom for every chorus that serves builds up to more epic. With guitar riffs that beatifully stretches, pianos who add drama and wash of synthesizers circled around the starts already atmosphere but looses up from every second that is of spac[e]ious feel when the intense get harder for the minute that displays and as the titel itself, it feels like death nearby your throat with the many instruments and futuristic cards being thrown at.
FKA twigs varies though on her characters than what was on her EP's, she has a control of not being too one dimensional as in when Psalm like sung "Closer" comes by. And not to just drop by out of nowhere, it feels natural and organic, slightly cuter and less out there at your face despite the lyrics. The high pitched vocals that inconsistently shows through the song is a sweet put from the darker steam that is on the album, Vampire Weekend-esque as had on their last year album with the track "Ya Hey".
"Is she the girl from the video/Stop, stop lying to me" sings twigs in a higher register, that yeah could play on -acts- not necessarily, but if we are being rather specific it talks about her career being the girl in the music videos as a dancer for artists like Jessie J. The track is "Video Girl", a track with one of this years most infectious yet simple choruses with it's "You lie and you lie and you lie" it is a track that seems to be self questionable a little bit, but more so a dialogue discussing her career before taking music seriously.
The production on the album is handled by twigs herself and the frequent collaborator from "EP2" and Yeezus producer Arca, involved on board is also Paul Epworth who was behind Adele's "21" (Grammy winning album and singles), Emile Haynie who is responsible for Kanye West's "Runaway", the multi-talented Sampha and Dev Hynes (whom I assume had his hands on the guitarrs). Musically it is cohesive, extremely so managing juggling 808s, electronic and it's scraping (knife hitting) beats. Successfully having a sound, a memorable touch all through and so is the lyrics and delivery.
The experimentation with genres, so to say a Beyonce, The Weeknd to Trip-hop, UK electronic- and Alternative music is a blend on here, making it an experience to broader audiences for many to enjoy and find pieces from. It may not be perfect, but the emotion from it is the winning point.
This is a testament, FKA twigs is pushing [boundaries] a step in music, evoking influences of classics and modern artists and making this into a platform, a new and fresh sound for others to catch on to.
"LP1" is one of the most wonderful, heartbreaking and creative releases tackling lust, fantasy, realism of love, identity and self independence.
"Just like you/I just touch myself".… Expand
Aug 12, 2014Though indistinguishable - this experimental debut by FKA Twigs is soaked in her sharp, icy falsettos from the stunningly produced 'Two Weeks' and thoroughly overlapped in the Paul Epworth produced 'Pendulum'. This is Barnett try to piece togethor her recollections of romances and personal artistry (reflective of her last two EP's). 'Video Girl' possibly the best song on the LP (or is it 'Two Weeks') explores her past and denial in multiple music videos ranging from Jessie J to many others. She is now in control, and she begs to be noticed and heard. A fantastic achievement for a debut. Is she that girl from the video?/You lie and you lie and you lie.… Expand
Aug 12, 2014One may expect a continuation of the atmosphere Twigs has created over her two first EPs (if that could be possible), but what you eventually find here is something way deeper; much more hurt; even more immaculate. And it feels ironic how she cries and let her feelings naked while showing everyone her low-esteem and desperation; if she only knew that that "flaw" is her best advantage of all, in a plethora of many advantages and few (not to say any) things to correct.… Expand
Aug 21, 2014Impressions:
First time: Strange, challenging, involving.
Second time: Beautiful, detailed, descend production.
Third time: Awesome, heartfelt, fanciful production.
Fourth time: Even better than the third time, oh well...
Fifth time: A memorable love story lasting on for quite a while...… Expand
Aug 29, 2014LP1 nga twigs fka është thjesht e mahnitshme , çdo kor klikimeve , vokal stringing nëpër një zgjerim prej 10 këngë me ndikime Bjork . Tema e seksit në mënyrë të çuditshme të mjaftueshme përshtatet përsosmërisht me twigs songwriting si shihet me projektet e saj të mëparshme PE 1 & 2. Një projekt që të mos humbas në qoftë se ju doni diçka nga rrjedhë normale . 9/10 !… Expand
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