Lulu - Lou Reed
Lulu Image
  • Summary: Lou Reed and Metallica collaborated on this two-disc set of music based on Frank Wedekind's LuLu plays.
Score distribution:
  1. Positive: 6 out of 31
  2. Negative: 13 out of 31
  1. Jan 10, 2012
    80
    The shock in this collaboration is that it sounds savagely natural. [Dec. 2011, p.93]
  2. Nov 17, 2011
    60
    LuLu is an album that will require many plays before the music contained within beings to make sense. [29 Oct 2011, p.50]
  3. The whole thing comes off as either an expensive major label joke or nigh-impenetrable high art concept. Maybe both.

See all 31 Critic Reviews

Score distribution:
  1. Positive: 8 out of 46
  2. Negative: 34 out of 46
  1. As I've gotten older I've found my tastes and .. acceptance of things outside my comfort zone (music, philosophy, etc) growing as my views of the world in which we live change. The key to getting enjoyment (or understanding?) out of Lulu, for me, is to accept that I have to listen to it on it's own terms. Listening to it as a Metallica fan, a metal fan, a music fan, will lead to listening to something that on the face may seem unlistenable. My impression of this album has grown considerably since first listen. Last night was the first time I actually sat down, and listened to it cover to cover. Honestly, I was kind of dreading its darkness and it felt like I had to do a homework assignment. So, I grabbed my best headphones, and set into it. I think a key thing I did was I pulled up the lyrics to each song online as I listened and followed closely along. I think that really helped put me into the music. They've always said the lyrics are the key, the music augmentation and manifestation of the feeling of those lyrics. Lyrics aren't really the correct term, it's more spoken word poetry than anything. As far as Lou's voice: As one review I read put it, it's like "an oil slick sitting on top of an ocean of metal". I agree, I think the discordance is all a part of the art. This is supposed to be uncomfortable, a difficult listen, I think that's a part of it. Once you get acclimated to the voice, and really listen, word for word, song to song, there is true dark art there. Eventually you become a victim of the flow of the moment, as Lou and Metallica became in the 10 days they put this together. If you've ever been in an emotionally violent, destructive relationship, or loved someone who took everything you could give, and returned only their emptiness back to you: this can make you identify with it to an extent. To listen with any expectation from Metallica's past or future is a mistake. Lulu is outside of that, and to listen influenced by those expectations, you won't appreciate it. You'll probably hate it. Lou Reed has been interested for some time with expanding narrative work to build music around it and create kind of a literary fusion of long form story and music. Lulu is exploring that. It's as much narrative as it is music, if not more. The words he brought in to this project are brilliant. They're real. They paint a devastating portrait of two amoral and destructive people. They are at the darkest end of the spectrum of humanity. If you can dive down into your own emotional blackness without losing your equilibrium and knowing when to come back up to draw breath, you can appreciate this fully, I think. Provocative art always has a way of polarizing people to either love or hate it. Lulu is not a metal album, not just a story, but it's own fusion of provocative, violent art. It is brilliant to that end. People complain about a lack of musicality, and that only means you cite a lack of musicality within your own comfort zones and constricted definitions of what musicality can mean. You have to allow yourself to experience this on it's own terms. Not on your terms. I'm not saying you need to remove subjectivity and just blindly accept it. But listen to it on it's terms, if you can, and then judge it. If you're unable or unwilling to listen that way, with more than just your ears and expectations, then you shouldn't judge it either. You should just ignore its existence. Lou Reed and Metallica are both artists that have earned the privilege of doing things on their own terms, and it's a sign of respect to view their collaborative art on those terms. You can then choose to accept or reject it. I happen to accept it, and I'll take from it what I can. This will probably get me more into avante-garde type music and further my own horizons of music and understanding, and to me that's a beautiful thing. I accept the terms. Thanks for reading. Expand
    • 5 of 17 users said yes
  2. WD2
    4
    The only saving grace for this album may be that it is not the worst album of 2011; Theory of a Deadman already clinched that honor back in the summer. But Lou Reed's nasally delivery just doesn't fit, it comes off as some uninspired old fart recording his voice in the living room while a metal riff plays in the background. As Allmusic wrote, this would have worked far better with an ambient band such as Sunn 0))) than with Metallica. Expand
    • 8 of 10 users said yes
  3. I dont know what to say of this album. Lou Reed and Metallica, separately, are both awesome. But this album left me confused. The music is without doubt very good. But the singing part (or the speaking part actually) is what i dont get. It confuses me.. Creeps Me out. I tried to expand my taste in music and hear this album but its not what i want! Expand
    • 2 of 2 users said yes

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