- Critic score
- Publication
- By date
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Rolling StoneIt'd be nice if Taylor went easier on the introspection. [8 Mar 2007, p.86]
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Taylor's attraction lies in her ability to switch herself effortlessly between vastly different styles.
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A pretty lightweight disc.
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Like Oberst, the strength of her songwriting sometimes overshadows the rather interesting things going on in terms of production.
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Q MagazineThere's nothing here that feels truly essential. [Apr 2007, p.122]
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Lynn Teeter Flower isn’t bad by any means. It’s just too safe, too predictable.
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Lynn Teeter Flower may not be intense, edge-of-your-seat musical expression but it’s not intended to be. It is, however, a fundamentally strong pop record with enough atmosphere and beauty to ensure it resonates with a definite segment of record buyers.
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Paste MagazineWhat she has done so compellingly throughout her career--evanescent moments of self-doubt given voice through melancholic bursts of catharsis--yields here to '70s singer/songwriter cliches once peddled by Carole King and later adopted by the Lilith Fair crowd. [May 2007, p.68]
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Whether she's giving the rhythm section a cigarette break, trying to approximate the sound of an anesthetized New Pornographers, or adding the same sort of pseudo-dancey Casio flourishes that have colored her work since the first Azure Ray album, Taylor never fails to instill the same sense of inescapable inertia throughout.
User score distribution:
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Positive: 9 out of 12
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Mixed: 2 out of 12
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Negative: 1 out of 12
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HaraldurGApr 14, 2007
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MattD.Mar 16, 2007
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jwFeb 3, 2008