Metascore
82

Universal acclaim - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 14
  2. Mixed: 0 out of 14
  3. Negative: 0 out of 14
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  1. Feb 12, 2018
    90
    The singer elicited production help from Noah Georgeson ( Joanna Newsom, Devendra Banhart), a smart decision, given the subtle yet always effective sonic touches here. The result is a stunning work that will draw you back to repeated, if oft intense, listening.
  2. Feb 16, 2018
    83
    Williams’ emotive baritone, as ever, commands center stage, but it’s the album’s experimental elements (the Suicide-ish drum machine on “Party Boy,” the strange synth accompaniments throughout) and subtle psychedelia (as on the spellbinding “Can I Call You”) that push Williams’ sound to a more interesting and promising place.
  3. Feb 20, 2018
    80
    He brings to mind Roy Orbison or Richard Hawley, but then on songs such as Beautiful Dress and The Fire of Love Williams has a magnificent, fluttering, gender-fluid falsetto that recalls Anohni or Perfume Genius.
  4. 80
    It’s a bold, eclectic and audacious approach to the bulging catalog of breakup ruminations; one that emerges from the crowded field and shows Marlon Williams’ talents are just beginning to blossom.
  5. Feb 16, 2018
    80
    It’s obvious where Marlon Williams’s influences lie but he expertly melds his roots with elements of chamber pop and ‘50s heartbreak amid a sea of textures. Make Way For Love is nuanced, subtle and evocative.
  6. Feb 16, 2018
    80
    Whereas his debut self-titled album was a perfectly serviceable slice of alt-country, it wasn’t really distinctive enough to stand ahead of the pack. That’s all changed with Make Way For Love which, at times, contains some of the heartbreakingly beautiful songs you’ll hear all year.
  7. Feb 15, 2018
    80
    Heartache is likely the most mined substance in all of pop music, but Williams applies such panache to the material that it's hard not to get wrapped up in all of the delicious melodrama.
  8. Q Magazine
    Feb 13, 2018
    80
    Make Way For Love is a brooding and soulful offering from an artist keen to burst expectations. [Apr 2018, p.116]
  9. Mojo
    Feb 12, 2018
    80
    This is a raw and acutely personal document. [Mar 2018, p.93]
  10. Uncut
    Feb 12, 2018
    80
    Thankfully, Williams' effort to emulate that bygone sound is too sophisticated and idiosyncratic to be mere pastiche. [Mar 2018, p.35]
  11. Feb 12, 2018
    77
    His velvet-rich voice is one that’s part lounge smoothie, one part vintage crooner, and one part vampiric Roy Orbison filled to the brim with drama and inherent romance. This ensures that Make Way For Love is more than an album full of weepy torch-songs, but an ode to all the feelings and phases that are the makings of a relationship’s end.
  12. Feb 21, 2018
    75
    Make Way for Love is the soundtrack to a longing gaze across a mostly empty, darkly lit bar in which two lonely strangers find someone to spend the night with. It's a meditation on love--and perhaps, at times, simply on companionship.
  13. Feb 21, 2018
    70
    In 2018 few singers could convincingly build a career as the next great crooner and William’s gambit to do that sometimes sacrifices the effectiveness of the songs, especially on those that serve his voice over craft. But when songwriting matches the talent of his voice the songs coalesce, and the results are spectacular.
  14. Feb 20, 2018
    70
    Make Way for Love passes through in only 39 minutes, its brevity amplifying its power.
User Score
8.1

Universal acclaim- based on 17 Ratings

User score distribution:
  1. Positive: 15 out of 17
  2. Negative: 1 out of 17
  1. Feb 16, 2018
    9
    Fans of Americana, Folk, and Rockabilly will immediately gravitate toward this one. Nostalgic is the first descriptive that comes to mindFans of Americana, Folk, and Rockabilly will immediately gravitate toward this one. Nostalgic is the first descriptive that comes to mind regarding Marlon Williams' voice, a rare paring of vintage and fresh. It's the sort of sound that you could hear in a 50's diner, but also one that stands on it's own in the vibrant Americana resurgence that is occurring presently. 'Nobody Gets What They Want Anymore' is stunning, 'Come To Me' is the perfect choice to start out this roller-coaster ride, 'I Know a Jeweller' fits like a glove and there's just enough moments in here that keeps the listener off balance. Full Review »