Summary:What the Icelandic singer's fifth album lacks in instrumentation (although there is a bit, provided by members of Matmos, Mum, and other collaborators), it makes up for with voices--lots and lots of voices. Think everything from beatboxing (including contributions from The Roots' Rahzel),What the Icelandic singer's fifth album lacks in instrumentation (although there is a bit, provided by members of Matmos, Mum, and other collaborators), it makes up for with voices--lots and lots of voices. Think everything from beatboxing (including contributions from The Roots' Rahzel), choirs and Inuit throat-singing to, well, Mike Patton.…Expand
Everything, you suspect, that people hate about Björk is multiplied a thousandfold here. But by the same measure, to her fans, Medulla is an intimate, ecstatic wonder.
Björk can sound so dark in this album. Totally opposite of "Vespertine"... When i listen to the voices and harmony of this album, I feel likeBjörk can sound so dark in this album. Totally opposite of "Vespertine"... When i listen to the voices and harmony of this album, I feel like I'm swimming on a line of notes... It's amazing and make me feel great.…Expand
Este disco es una maravilla! Escuchando sus dos ultimos discos... ya no se puede volver a escuchar los primeros... Los dos ultimos discos son Este disco es una maravilla! Escuchando sus dos ultimos discos... ya no se puede volver a escuchar los primeros... Los dos ultimos discos son tan buenos que hacen que sus tres primeros parezcan basura, cuando son geniales.…Expand
There are decisions to be made, consciously or subconsciously, by each individual listener. Is it humanizing to use people as instruments, orThere are decisions to be made, consciously or subconsciously, by each individual listener. Is it humanizing to use people as instruments, or is it dehumanizing? Does the menace sublimated to varying degrees in each song represent an unusual honesty about the human condition, or does it only serve to further solidify Björk's image as a devoted eccentric? Neither choice is wrong. What both sides of any argument will have to agree upon is the powerful sense of immediacy that Björk has achieved. It took me two more listens after the initial three to stop scrutinizing each vocal element as I would the chorus in a pop song. Even after the urge is suppressed, it subconsciously remains -- each "instrument", being explicitly human, demands our constant attention. This is initially very uncomfortable, but it gradually works its way down to strange and beautiful. Your first experience of "Where is the Line" will be of a song that is aggressively strange and threatening. By play number ten -- and you must listen to this song an absolute minimum of ten times, as soon as possible -- you'll realize that it's just a texturally fascinating bit of cinema with an emphasis on the contrast between Björk's high voice and some shockingly deep backing vocals. When the electronic distortion hits, goosebumps will rise, no matter how many times you've heard it -- but the first time, you'll be frightened that they might burst. The song clearly has it in for you...until it doesn't any more, at which point it's simply titillating and fun.…Expand
shamely, can't give it a 10, for the icelandic short numbers are a lil bit unlisetanble and needs a lot of courage listenin it to shamely, can't give it a 10, for the icelandic short numbers are a lil bit unlisetanble and needs a lot of courage listenin it to mainsteram lovers. still, MEDULLA is a brilliant masterpiece, but never surpasses the greatness of vespertine.…Expand
Medulla is an idea. Bjork has a tradition of molding these great ideas and implementing them in her music. In Medulla, the idea is to imitateMedulla is an idea. Bjork has a tradition of molding these great ideas and implementing them in her music. In Medulla, the idea is to imitate the organic element of the human voice. Does it work? Most of the time. Songs like "Oceania", "Triumph of a Heart", "Who is it", and (my personal favorite) "Desired Constellation" all beautifully integrate the human voice not only as an instrument but as a genuine and sincere piece of human emotion. Voice is more than a gimmick in Medulla, it is the backbone. Voice is what gives these songs their life and their beauty. But, it is a tough album. Not all songs follow through smoothly, and some are harsh and awkward (I'm looking at you, "Oil Britain" and "Ancestors"). This album is definitely a great listen regardless, as it takes an idea and forms it into something organic, unique, and sometimes almost tangible.…Expand