- Critic score
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- By date
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Julian Raymond's production gives the good-timey guitar-and-bajo sound a sharp kick in the butt. [Sep 2008, p.78]
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MojoThe arrangemnts are smartly constructed, Campbell's guitar is economical and crisp, and his interpretibve skills and singing are as sharp as during his commercial peak. [Sep 2008, p.112]
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This isn’t exactly Johnny Cash doing Nine Inch Nails, but it’s a helluva lot better than you might expect.
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Campbell doesn’t reinvent any of them, but he was never really an inventor. What he does is make a fine, if not spectacular, album that mostly plays to his strengths.
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There's nothing really objectionable here, but nothing transcendent either.
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The listenable authority of Campbell’s voice, especially on Foo Fighters' 'Days Like These,' confers the poise you suspect Richard Ashcroft was looking for while solo, but never found.
User score distribution:
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Positive: 11 out of 12
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Mixed: 0 out of 12
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Negative: 1 out of 12
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Dec 25, 2013
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taAug 30, 2009
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joejAug 26, 2008The album stands as a tribute not only to Campbell's timeless talent but also to the songwriters and producers Raymond & Willing. Great stuff.