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- Critic score
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- By date
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Feb 3, 2014Morgan Delt is too academically rooted in the past to really disconnect from it. Still, as a debut, it shows some promise.
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Jan 28, 2014A lot of people have done the same kind of excavation and restoration work he has, but few have done it as memorably. Almost no one has done it with songs as good as these.
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Jan 27, 2014The whole album is so impressionistic and free-floating that you'll likely hear something else, as Delt intended.
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UncutJan 23, 2014The lack of outside input and studio polish only intensifies the trip. [Feb 2014, p.73]
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Jan 23, 2014The percussion is low in the mix and the bass way up, giving the songs a molten, fluid quality. The parts themselves, however, are guided by an erratic intelligence.
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Jan 23, 2014This is a finely crafted homage to the late ’60s sound. Maybe sometime in the future Delt will really mess with the template, but for now, the devil (and the authenticity) is in the detail.
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Jan 23, 2014To be fair to him, Morgan Delt is very, very proficient, nailing the '67 sound while injecting a dose of discipline that many imitators miss.