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Feb 3, 2011As for the other 13 songs, which he performs with a red-carpetful of A-list guests (Eminem, Kanye West, Christina Aguilera), they range from dour, generic pieces that can't conceal his listlessness to a few pretty good-ish party songs with sharp hooks and crackling beats. You can only hope he rediscovers his swagger.
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Jan 26, 2011Tracks like the delinquent reminiscence "How Life Changed" and the mea culpa duet with Chris Brown, "Get Back Up", teeter queasily on the cusp of boast and apology. But you have to admire the gall of a repeat offender brazen enough to feature a quote from Helen Keller in his lyric booklet.
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Jan 13, 2011No Mercy takes T.I.'s recent experiences and frustrations, and effectively bottles them up into a potent and complete work.
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Jan 13, 2011The album's top heavy, and its finest moments come when T.I.'s able to look past himself, whether it be to attack the legal or education system. The rest is frustratingly mixed.
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Jan 4, 2011No Mercy is a valley, not a peak, in a career that has seen plenty of both.
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Jan 4, 2011The electricity that defined T.I.'s early career-dexterous lyricism molded effortlessly to trap rap essentials -- feels further away than ever before.
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Jan 3, 2011Utterly forgettable and insubstantial, No Mercy is a contrived, sputtering guest-filled affair certain to alienate his longtime fans and disappoint those who jumped aboard for "Paper Trail."
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Jan 3, 2011No Mercy is the sound of a rapper addressing his idiocy without sacrificing his swagger. Sometimes, the gravitas feels perfunctory, like T.I. is just fulfilling a public-service requirement; other times, it totally backfires.
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Dec 14, 2010On No Mercy, he starts off strong, but gets lost along the way. He argues that listeners should show him sympathy since the good outweighs the bad in his life, and that's true of No Mercy as well… but not by much.
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Dec 10, 2010On No Mercy, he sounds absolutely sapped of energy. And that's rough; nobody plays the ferocious livewire better.
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Dec 9, 2010The self-proclaimed King of the South addresses his troubles on tracks like Welcome to the World and Castle Walls.
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Dec 7, 2010It's well crafted, but some of T.I.'s best lines obscure the tracks' fuzzy thinking.
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Dec 7, 2010Repeatedly confessing to his own fallibility, T.I. turns his attacks on gossip website TMZ and people who post Twitpics - uncomfortably interrupting his own celebration to snarl.
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Dec 7, 2010Neither redemptive nor triumphant, No Mercy is the MC's least compelling release thus far, but there's a sense that he'll regain focus once his legal matters settle.
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Dec 7, 2010Mostly, the album shows that T.I.'s lyrical side is not worthy of much attention.
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MojoApr 22, 2011While T.I.'s measured, discursive rap style is heard at its best on scourging confessional duets with Eminem and, of all people, Christina Aguilera on the genuinely touching Castle Walls, Further promising collaborations with Kanye West, Pharrell and Drake end up having a rather more formulaic ring to them. [Apr 2011, p.97]
Awards & Rankings
User score distribution:
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Positive: 27 out of 48
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Mixed: 15 out of 48
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Negative: 6 out of 48
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Mar 2, 2016
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Mar 22, 20156.0/10................................................................................................................................................
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Jul 12, 2013