- Critic score
- Publication
- By date
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Alternative PressOctahedron will appeal to elderly prog fans immune to attention deficit disorder, who have the patience to let its charm gradually unfold. [Aug 2009, p.111]
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Nothing on this album surprises me because anyone who has listened to this band regularly has become so steeped in pointless oddity that they have moved past surprise into the realm of mild annoyance.
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Octahedron is the sound of a band treading water.
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Is Octahedron the band's best album? No, but if you dig on MV's unrepentantly "big" and meandering suite-driven concept-album thing, you won't necessarily be disappointed.
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In the end, Octahedron is a solid album that probably has two slow songs too many.
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Q MagazineOctahedron bucks the band's trend for obfuscation, though; conventional song structures are very much in evidence, while its relatively trim 49-minute running time is on par with some of Mars Volta's more involved live jams. [Jul 2009, p.127]
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Bixler-Zavala is no Maxwell; he's more about sharp pain than voluptuous ache. By the end, he invokes Gordian knots alongside a fractallike Omar Rodriguez-Lopez guitar solo. Dude sounds like he's back home again.
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Octahedron is something of a new beginning for the band. It's uneven, sometimes clumsy, and a bit incomplete-sounding. But in spite of itself, the Mars Volta sounds exciting again.
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This is a band that excels when its sing-alongs double as freak-outs; on Octahedron, they’ve largely ditched the chaos in lieu of an admirable, albeit unsatisfying, experiment in being quiet.
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UncutAs ever with The Mars Volta, there are enough flashes of brilliance to make up for the wearying material elsewhere. [Sep 2009, p.86]
Awards & Rankings
User score distribution:
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Positive: 62 out of 70
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Mixed: 4 out of 70
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Negative: 4 out of 70
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Sep 6, 2010
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Dec 4, 2010
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ChrisPJul 21, 2009