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- Critic score
- Publication
- By date
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Sep 21, 2015This is more of a curate’s egg of an album than anything else.
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Sep 16, 2015Pagans In Vegas may not be the strongest entry in the Metric canon, but the juxtaposition of Emily Haines's robot-girl vocals and pointed lyrics with dark yet hooky melodies remains a winning combination.
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Sep 15, 2015In Pagans in Vegas, humans and machines exist in a binary relationship. The reality is both more nuanced and fertile than that.
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Q MagazineSep 14, 2015Shiny, but oddly inert. [Oct 2015, p.111]
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UncutSep 14, 2015Pagans' first half dazzles.... The album closes with eight minutes of psedo-Vangelis twaddle. [Oct 2015, p.80]
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Sep 14, 2015Haines' singing is sharp but worry-worn.
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Sep 16, 2015It’s too harsh to suggest that the band are coasting, since there are once more fragments of ideas, concepts and melodies which arouse.
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Sep 15, 2015At best, Pagans in Vegas recalls the heights that Metric once reached. Back then, they made it look easy, foreshadowing mainstream pop years in advance. They no longer sound like they can see the future, and even sometimes sound stuck in the past.
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Sep 14, 2015Metric fought harder to gain the spotlight they narrowly missed, ultimately sacrificing integrity and musical wit, a choice that simultaneously dims their hooks and audience stimuli. Pagans In Vegas sees them descend one step further. [Aug-Sep 2015, p.64]
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Oct 5, 2015There's a patchwork of pleasantness woven throughout.... By the time the closing tracks roll around, the album has fallen apart entirely. These instrumentals are complete afterthoughts and belong nowhere.
Awards & Rankings
User score distribution:
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Positive: 9 out of 16
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Mixed: 6 out of 16
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Negative: 1 out of 16
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Sep 19, 2015
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Jun 9, 2016
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Sep 29, 2015