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Places Like This is right up there with the year's best madcap adventures into dance and rock.
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Places Like This is a fun album that’s difficult to describe and impossible to forget.
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This album, their third, hurls in everything from trombone and steel drums to something called a "two-note apocalyptic swamp axe". What that refers to is unclear, but it can't be a bad thing if it assists a ridiculously infectious jerky party vibe somewhere between Talking Heads' juddering funk and early B52s' stop-start pop.
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Architecture's instrumentation is more varied than ever before. Though they could've made another fine record by sticking to the simpler approach of their previous albums, it's refreshing to see a band take a more ambitious route, and do it well.
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They’re a zesty bunch are Architecture In Helsinki, and never more so than on Places Like This.
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Aside from moments where the wackiness gets too overwrought (kid song sound-alike 'Underwater,' the Muppets-y 'Like It or Not'), Places really struts when snarkless electro is in the fore, and a disco high-hat or sunny, guitar-led rock dominates.
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If the album sounds simple, it's because it is simple; it's the attitude, idiosyncrasies and Architecture in Helsinki's refusal to fall into the fey trappings of paint-by-numbers indie pop that make it such a distinguishing treat.
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Too much is just right on the third album from this Aussie (not Finnish) sextet.
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This time, the energy is clear from the start, giving tracks like 'Heart It Races' and 'Lazy (Lazy)' the momentum to burst into the sonic equivalent of confetti.
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The band is still fun, successfully completing their transition from cutesy electro-Baroque to a twee-funk sensation.
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Under The RadarPlaces Like This is an experimental step forward for a forward-leaning experimental band. [Summer 2007, p.72]
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Just know that Architecture in Helsinki have enough energy to continue cranking out these adrenaline and saccharine cocktails until you do.
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Places Like This ultimately shares qualities with its IM-chat womb: It's entertaining as hell, but eventually you'd rather just minimize the window and get on with your day.
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Entertainment WeeklyWhen one of Bird's madcap schemes works, the results are exhilarating. [31 Aug 2007, p.67]
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Architecture's indulgent heart is the band’s strongest suit--and tracks like the vibrant 'Heart It Races' wouldn’t be half as good if Bird and company weren't willing to risk sounding a bit too sickly sweet sometimes.
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The abbreviated runtime of Places Like This makes it seem as though they could have given their ideas more space to breathe, rather than piling them up like a stack of pancakes.
User score distribution:
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Positive: 14 out of 23
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Mixed: 3 out of 23
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Negative: 6 out of 23
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BizN.Sep 7, 2007Not quite as solid as their last two full lengths, but still solid in its originality and zaniness.
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SebastianZ.Sep 7, 2007they dont sound like anyone else, quirky as hell and extreamly entertaining to listen to
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FreshCharlieAug 31, 2007There are moments, but this is easily the bands most disposable. Too bad, I was really hoping for more...