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- Summary: The third full-length release from Australian singer-songwriter Grace Cummings was produced by Jonathan Wilson.
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- Record Label: ATO
- Genre(s): Pop/Rock, Alternative/Indie Rock
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Score distribution:
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Positive: 4 out of 5
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Mixed: 1 out of 5
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Negative: 0 out of 5
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Apr 12, 2024Ramona can be overwhelming when taken in as a whole, and that’s something that might ultimately keep many at arm’s length from the album. But, if you let Grace Cummings in, Ramona might just surprise you yet.
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UncutApr 12, 2024Not everything hits the target, partly due to strangely sluggish pacing, but impassioned weepies like “Work Today (And Tomorrow)” and the sarcastic, agreeably sloppy “Everybody’s Somebody” showcase an impressive vocal and emotional range. [Apr 2014, p.31]
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Apr 22, 2024It doesn’t always work as well as an album, but folks will still look back and remember the time Cummings spent everything, went all in, and became Ramona.
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Apr 12, 2024Cummings linked with Topanga Canyon vintage king and session ace Jonathan Wilson, who freed her to focus on not holding back. That is commendable, but it results in an album that has the dynamic range and limited application of a strong flashlight. You recognize its incredible power, but you’d do best not to stare into the source for very long.
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MojoApr 12, 2024Ramona has a very on-Broadway energy. There are occasional Blue Hotel lapses, but I'm Getting Married To The War or A Precious Thing come across like a rock opera Aldous Harding, while title track - inspired by Bob Dylan's 1964 song To Ramona - is the third curtain-call Patti Smith. The force of her voice alone earths these songs. [May 2024, p.86]