Generally favorable reviews - based on 9 Critics

Critic score distribution:
  1. Positive: 7 out of 9
  2. Negative: 0 out of 9
  1. 82
    With Rat A Tat Tat, there's plenty of unforgettable melodies to make this his strongest and most accessible work to date. [Winter 2010, p.96]
  2. Most of Rat A Tat Tat strives for genuineness, pop, and wry wisdom, and absolutely does better than the average record attempting it.
  3. Few songs from either record match the bombast of his work with Broken Social Scene, perhaps, but Collett’s albums are better viewed as part of a whole, and Rat A Tat Tat strengthens the country-fried side of his solo personality.
  4. Jason Collett isn't going to blow you away with his imagery, and his voice--while sturdy and appealing-- doesn't stand out from the alt-troubadour pack. What Collett does know, however, is craftsmanship.
  5. Taken as a whole, Rat a Tat Tat is the sound of a confident and laid-back artist wallowing in homespun delight. The album is all self-possessed abandon, getting its kicks and sidling away under the dim glow of streetlights.
  6. His appeal grows over the course of Rat A tat Tat, each track feeling more and more like a conversation, a conversation set to an excellent groove. [Winter 2010, p.62]
  7. He manages to allude heavily to other artists without losing his own idiosyncrasies. Chief among them is his syncopated jive-cadence delivery.
  8. 60
    He can't really pull off Dylan-ish literariness, but when he's loose, he more than earns his corduroy vest and Kris Kristofferson beard.
  9. It's not for a lack of experimentation on Collet's part that Rat foregoes any sort of bar raing. It's still a solid forging of '70s-rock gruff. [Apr 2010, p.122]

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