Ratatat - Ratatat
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Generally favorable reviews - based on 14 Critics What's this?

User Score

Universal acclaim- based on 19 Ratings

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  • Summary: This is the all-instrumental (think somewhere in between Out Hud and Daft Punk) debut album for the New York duo of Evan Mast and Mike Stroud (who formerly operated under the name Cherry).
Score distribution:
  1. Positive: 10 out of 14
  2. Negative: 0 out of 14
  1. What we have here is a long-awaited stepchild of IDM and hair metal sensibilities, joined by the omnivorous appetite of hip-hop.
  2. A happy mess of ideas, fun and riffing. [Jul 2004, p.122]
  3. The band's sound is both fresh and nostalgic, and so pretty that it seems overly harsh to criticize them too much at this point. It's just that Ratatat is good enough to suggest that, with a little more diversity, the group could do even better things.
  4. The end result is a sugar-high of electronic keyboard and guitars reaching glam-rock heights and booty shaking lows, all based around very simple, classical ideas of song-structure.
  5. 67
    Without French accents or anime babes, this kind of thing just feels incomplete. [Jul 2004, p.110]
  6. Like early arcade-game programmers, Ratatat are working with a greatly reduced palette, and the synth reductionism means they're never going to escape cute.
  7. Their songs routinely beg for a spoken message, to the point where their originals sound like dub versions.

See all 14 Critic Reviews

Score distribution:
  1. Positive: 10 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 2 out of 12