Oct 31, 2013Reflektor doesn’t contain any actually bad songs (the closest we can peg on the collection would be a small amount of filler material), but the impact of a full listen is one of catchy excitement and impressive pop rock which slowly rolls downhill into the murky sonic depths of the more somber second half without any truly punctuating final moment of the record itself.
Q MagazineOct 11, 2013While Reflektor isn't so flawed as to strip them of their sash, it's a wobble on a podium, a needless error of judgement that could have been easily avoided had they heeded that other old truism. [Nov 2013, p.100]
Sep 30, 2013‘It’s Never Over’ is this band’s best TV On The Radio impression, and ‘Porno’ almost goes G-funk: a pleasant surprise. But undercooked electronics, impotent rhetoric, too-familiar crescendo-ing structures and an overall feeling that this needs further post-production attention render Reflektor an entirely substandard album.
Universal acclaim- based on 497 Ratings
Oct 29, 2013The best summary of modern music in two quite different discs. Various feelings is going to rip you apart while you consume this masterpiece.The best summary of modern music in two quite different discs. Various feelings is going to rip you apart while you consume this masterpiece. Hint: listen it at least 3 times before judging… Full Review »
Oct 29, 2013100% ★★★★★
We've all been patiently waiting for "Reflektor." We've dealt with the cryptic marketing, the short video clips and the secret100% ★★★★★
We've all been patiently waiting for "Reflektor." We've dealt with the cryptic marketing, the short video clips and the secret shows. The question is, did "Reflektor" measure up to the hype? It did. The album starts out with the fantastic 7 minute long title track "Reflektor" which we all know features a guest
vocal spot from David Bowie. The track is synth heavy, and this is the first
of many songs where you will notice an influence from James Murphy.
7 minutes don't seem to be enough, as Reflektor ends and leads to "We Exist."
In "We Exist," the track opens up with a slashing guitar, and a bass line that rivals up to the greatest Michael Jackson songs. Harmonies from Win and Regine are in nearly every track, so if you are a fan of harmonies, this is a good album from you. Sometimes their vocals cross over one another, but it's still easy to follow and you will quickly find yourself singing and dancing along, just likeprevious Arcade Fire albums, but Reflektor is different because it really IS dancy.
"Flashbulb Eyes" is next, and it serves as a really great warm up track to
"Here Comes The Night Time.""Here Comes The Night Time" is a 6 1/2 minute track that is boarder line reggae. I honestly never thought Arcade Fire would go in this direction, but I'm glad they did, I think this will be a great live album.
Next is "Normal Person," which, in my opinion is one of the real standout tracks on this great record. It's like any great David Bowie track, full of glam ,and you really can't help but sing along.
Disc one comes to a close with Joan of Arc, a great post punk masterpiece. The track is driven by dark guitar, a simple drum beat, and a swooning background vocal from Regine. I've never heard anything like it.
Disc two opens up with "Here Comes The Night Time II" which is extremely different from the first part. This track is probably the most "classic" Arcade Fire got on Reflektor. The violins combined with Win Butler's slightly reverbed vocals are heavenly. It reminds me a lot of the closing track from "The Suburbs." The whole album is fantastic, but the second disc is where the real magic is. Every track on the second half is dark, and almost completely different from the first disc. After listening, you'll understand why they decided to split it up.
"Awful Sound" is just amazing. It sounds like it's straight off of a Beatles record, but with that touch of sound that unmistakeably lets you know it's an Arcade Fire song. The drum fill and the harmonies are fantastic, and really took me by surprise. My personal favorite track on "Reflektor" is next, "It's Never Over (Oh Orpheus)." The track is really dark, and features vocals from both Win and Regine harmonizing with one another, to a drum beat that cuts right through you. "It's Never Over" is really intense. This song is what perfection sounds like. A modern masterpiece.
"Reflektor" comes to an end with the 11 minute "Supersymmetry." A synth heavy song that will leave you feeling emotionally distraught and wanting more. I would have to say, I think this is Arcade Fire's best record yet. This is their version of "Kid A." Years from now, people will still be talking about this album, and you will hear it in other bands, whom were inspired by how genuinely different and groundbreaking it is. This is why we love Arcade Fire. Sometimes they play it safe, and sometimes they step outside of the box, and no matter what, it always ends up great, because their attention to detail is completely unrivaled. Arcade Fire are 4 for 4. Not many bands can do that. They are on a path of continued success, and will be the greats of our era.… Full Review »
Oct 30, 2013Has to be the most overrated album I have heard in a long time. I loved arcade fires first two albums, the suburbs was decent but a bit longHas to be the most overrated album I have heard in a long time. I loved arcade fires first two albums, the suburbs was decent but a bit long and drawn out. They have tried something different with this album which i have nothing against but this simply isn't enjoyable listen to. Every single song could be cut by three minutes. Once you think your enjoying one song it drags on for no apparent reason for another three minutes. The only critical review i agree with is clash. Very disappointing.… Full Review »