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Silver/Lead Image
Metascore
77

Generally favorable reviews - based on 20 Critic Reviews What's this?

User Score
8.3

Universal acclaim- based on 4 Ratings

  • Summary: The 40th anniversary for British post-punk band brings its 15th studio release that was partly recorded in Wales.
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Top Track

Diamonds in Cups
Sinless from Venus, Mars' father's sun Steals from the shadows when the day has begun Grow with good fortune, shrug off despair The path that is... See the rest of the song lyrics
Score distribution:
  1. Positive: 15 out of 20
  2. Negative: 0 out of 20
  1. Mar 31, 2017
    89
    The fact that they’ve been cranking out albums as good as this for nearly half a century is a legacy worth appreciating for a really long time.
  2. Mar 31, 2017
    80
    Silver/Lead is an exhibition in restraint whose brilliant corners and burrowing phrases reward both the keen ear and repeated listen.
  3. Q Magazine
    Mar 27, 2017
    80
    Even now, few do it better than Wire. [May 2017, p.112]
  4. Apr 7, 2017
    80
    As precise as ever yet oddly moving, Silver/Lead reaffirms that Wire are more like mercury, shape-shifting effortlessly while remaining true to the things that have always made them great.
  5. Apr 4, 2017
    71
    There are a few spots on Silver/Lead where Wire succumbs to its own subtlety, as words empty and the tempos deflate toward flatness. But the group catches itself quickly, producing the album’s best track, “Sleep on the Wing.”
  6. Apr 5, 2017
    70
    If the album’s second half falls off a bit due to the programming of consecutive slow burners, the orchestral layering we expect from the quartet is still there.
  7. Apr 4, 2017
    40
    Nothing really stands out, and the songs that do--the catchy "Short Elevated Period," as well as the two musical highlights of the album, "This Time" and "Sleep on the Wing"--don't leave enough of an impression to be overly impressed by.

See all 20 Critic Reviews

Score distribution:
  1. Positive: 0 out of 1
  2. Negative: 0 out of 1
  1. May 11, 2018
    5
    With their last two discs falling between great and amazing, I expected much more from Wire's latest. After an auspicious 2-song start, theyWith their last two discs falling between great and amazing, I expected much more from Wire's latest. After an auspicious 2-song start, they drop into monotonous mid-tempo and pretty much stay there. More lead vocals from Graham Lewis would have perhaps added a point - his range and expressiveness outrun Colin Newman's by a long shot, and pull at least a little more interest. They say this was released to coincide with their 40th anniversary of their first proper gig - I wish that gig had been a year later so they'd have had time to punch this up. Putting a timetable on art can mean forcing it into something it shouldn't be; the result here feels more like an obligation than a celebration. Let's go for more silver than lead next time, please, guys? Expand