- Record Label: Atlantic
- Genre(s): Pop/Rock, Alternative/Indie Rock, Indie Rock
- More Details and Credits »
Entertainment WeeklySep 18, 2013They spend their second album trying to turn every song into another shout-out-loud anthem, which sometimes blunts the genuine highs. [20/27 Sep 2013, p.152]
MagnetDec 18, 2013Stale, vapid and generally awful. [No. 105, p.55]
Positive: 7 out of 7
Mixed: 0 out of 7
Negative: 0 out of 7
Jun 14, 2015I'm only writing this because the critics reviews are so far off base.
The beginning of this album starts with this sprawling piano melodyI'm only writing this because the critics reviews are so far off base.
The beginning of this album starts with this sprawling piano melody followed by drums in to the mix. It than changes ever so slightly to become an actually song that has a great melody and slight build up from verse>chorus that's very indie rock 2000's sounding. It works and works well. The surprising part about this is when you hear the drum fills compared to other 2000's indie rock songs/bands. As a drummer myself, it's the first instrument my ears perk up to.
The drum fills are much heavier than a pop rock song.
Track 2 (Borderlines and Aliens) features a very Primus influenced sounding guitar rift, and at a tempo they like to play. Once again, a great semi-mellow verse, followed by a heavier build up to a chorus.
The chorus drum fills/bridge once again have very heavy metal/punk influenced drums.
The next couple of songs are much more melodic and poppy, and have some softer rock edges around them. Easily radio friendly (in fact track 4, ways to go, saw tons of radio play.)
Track 5 (Shark Attack) is a work of genius. I've never heard a song like it, it's brilliant.
Track 6 has an amazing drum outro influenced heavily by African drum beats. And tracks 8 and 12 have heavy Pixies influenced sounding on them.
All in all I only ever skip over 1 track of this album. It's my favorite released album by anyone in the last 5 years. A Shame critics don't even know good music when they hear it nowadays.… Expand
Jan 13, 2014This my 3rd favorite album of 2013 behind Modern Vampires and Settle; so I am disgusted by this critic score. I hope its just because not manyThis my 3rd favorite album of 2013 behind Modern Vampires and Settle; so I am disgusted by this critic score. I hope its just because not many have reviewed it, because this album is so much fun but also well paced through at least the first 10 songs. I'll admit it falls off near the end, but has plenty to make up for that.… Collapse
Oct 5, 2013I quite like this album. Every song has at least one part in it where I just can't help but think "Yeah, this is awesome". Every song seemsI quite like this album. Every song has at least one part in it where I just can't help but think "Yeah, this is awesome". Every song seems original and there is no song that just seems generic. Also, with the exception of a couple of songs, they all seem like they are just as good. The album seems to have consistent quality for the most part.… Expand
Mar 19, 2014The sophomore album from Grouplove impressed me. Growth was shown whithin the lyrics and their musical content. Their debut album foundThe sophomore album from Grouplove impressed me. Growth was shown whithin the lyrics and their musical content. Their debut album found success with their catchy indie tunes. The same is found within Spreading Rumors in songs such as "Bitin' the Bullet", "Ways to Go", and "Sit Still", amonst others. I am ready to see this live from such an enregetic group in April.… Expand
Dec 29, 2013Despite loving the hits on their debut, I unfortunately never got around it. Fortunately a couple months ago I was lucky enough to win aDespite loving the hits on their debut, I unfortunately never got around it. Fortunately a couple months ago I was lucky enough to win a vinyl test pressing from the band via a contest on their Facebook page. And Spreading Rumours doesn't disappoint. A lot of this album's appeal is similar to that of those hits. They're unabashedly fun, loud & infectious pop songs with a slight raw edge in the vocal/instrumental department that gives the band a more distinct sound.
The album starts incredibly with “I'm With You”, which might be my favorite song from Grouplove up to this point. It spends the first 2 minutes just building & building, starting with some piano shredding & tom-heavy drumming to create a nice reverb-coated atmpsphere before dropping out & letting a fantastic synth-led pop song take over, going back & forth between minimal & bombastic without feeling too jarring, clocking in at nearly 6 minutes. I honestly had no idea the band could be this ambitious but it really works for them. Not to say they can't be just as enjoyable in the simple 3-4 minute pop formula, but I think it'd be interesting what would happen if they did more of that on the next album. From there it's for the most part a great set of tracks, for reasons other than what I mentioned before. In fact the next song “Borderlines and Aliens” goes into unfamiliar territory too (as far as I know), a dirty alt-rocker driven by great riffs & transitions from one extremely catchy section to the next. Meanwhile “Ways to Go” & “Shark Attack” find an interesting & natural way of incorporating electronics into the mix. They cleverly add a new dynamic, but not at the sacrifice of the band's best traits (at least to those who don't just dismiss anything that's not a “real instrument”). “Shark Attack” in particular uses that purely as a way of making the chorus a lot more engaging. I don't wanna name-drop every track here, so the rest of the album is basically a fun mix of memorable melodies & guitar riffs, fun upbeat vibes, and lyrics that come off sincere & charming, if a bit hard to decode at times.
Admittedly I do have a couple minor issues with some moments. I'm not really a fan of “Hippy Hill”'s titular line “I'd rather be a hippie than a hipster” that can't help but find it a bit corny. “Bitin' the Bullet”, while it does have a decently catchy chorus, moves at this awkwardly plodding pace that doesn't really generate much energy or momentum for me. The nitpickiest thing I have to say is that the verse melody in “Borderlines and Aliens” is dangerously close to Nirvana's “All Apologies”, even though it's otherwise a great song. Also, it's not an issue necessarily, but like with what I said about Youngblood Hawke's Wake Up, I'd be curious would would happen if the male & female singers of this band (Christian & Hannah in this case) had more of an equal lead singer position, rather than one doing lead & the other doing backing. They're both very capable singers, and it's shown that Hannah can carry a whole song in the lead role as shown in bonus track “Girl”. Not saying every song should be a straight-up duet, but I dunno, it's something I've thought about. Overall though, I really enjoyed this album, and it's definitely a great full-length introduction to this band. I'm a sucker for a well-written & personality-packed pop song, and these guys have that pretty much mastered.
Top 5 tracks: I'm With You, Ways to Go, Sit Still, Shark Attack, Didn't Have to Go
(Check out more reviews on my Facebook page That Non-Elitist Music Fan.)… Expand
Sep 18, 2013Having perfected the art of making catchy indie songs, Grouplove simply do just that with 'Spreading Rumours', venturing out only inHaving perfected the art of making catchy indie songs, Grouplove simply do just that with 'Spreading Rumours', venturing out only in instrumentation (there are more synths on this album). There is little concept here and is simply a good soundtrack for a hipster party. It's good. That's all. Can't help but like them.… Expand
Jul 21, 2015Catchy and often shallow, which usually is the type of music that I hate...but with Spreading Rumors, the music is so well produced andCatchy and often shallow, which usually is the type of music that I hate...but with Spreading Rumors, the music is so well produced and infectious that you can't help but jam to it… Expand
Awards & Rankings
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|1971-1981 [Box Set] - Cluster|
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|Coloring Book [Mixtape] - Chance the Rapper|
|Centres - Ian William Craig|
|Close to the Noise Floor: Formative UK Electronica 1975-1984 [Box Set] - Various Artists|
|Vile Child - Milk Teeth|
|A Moon Shaped Pool - Radiohead|
|Upland Stories - Robbie Fulks|
|Puberty 2 - Mitski|
|Hollowed - Ital Tek|
|A Sailor's Guide to Earth - Sturgill Simpson|
|Strange Country - Kacy & Clayton|
|Love & Hate - Michael Kiwanuka|
|This Is Where I Live - William Bell|
|Nerissimo - Teho Teardo|
|Misadventures - Pierce the Veil|
|untitled unmastered. - Kendrick Lamar|
|Stranger to Stranger - Paul Simon|
|Midwest Farmer's Daughter - Margo Price|