St. Vincent - St. Vincent
St. Vincent Image
Metascore
89

Universal acclaim - based on 40 Critics What's this?

User Score
8.6

Universal acclaim- based on 228 Ratings

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  • Summary: The fourth full-length release for the indie artist was produced by John Congleton and includes contributions from Dap-Kings drummer Homer Steinweiss and Midlake's McKenzie Smith.
Score distribution:
  1. Positive: 37 out of 40
  2. Negative: 0 out of 40
  1. 100
    Annie Clark stands astride St. Vincent, a colossus in total--and thrilling--command.
  2. 91
    Crackling, uncanny and compulsively listenable. [28 Feb 2014, p.71]
  3. Feb 25, 2014
    90
    Her guitar may be her primary tool for shaking up and complicating otherwise strictly defined songwriting, but Clark's voice remains the thing that defines her material, the glittering lynchpin of the glorious, ever-expanding world she's created.
  4. Feb 24, 2014
    86
    St. Vincent continues Clark's run as one of the past decade's most distinct and innovative guitarists, though she's never one to showboat.
  5. Feb 25, 2014
    80
    St. Vincent's real genius is the way it manages to project an aura of perfection while simultaneously showing us its guts; it suggests that while the polished surface may not be a lie, exactly, it's based on a series of elisions that we're all uncomfortably complicit in.
  6. Feb 24, 2014
    80
    As her most satisfying, artful, and accessible album yet, St. Vincent earns its title.
  7. Feb 24, 2014
    60
    Equal parts funky electro throwback and prog chanson monster, St Vincent's fourth album feels like the culmination of a trajectory from the margins to centre stage with a minimum of intellectual loss.

See all 40 Critic Reviews

Score distribution:
  1. Positive: 31 out of 34
  2. Negative: 1 out of 34
  1. Feb 25, 2014
    10
    The most versatile album, not only by St. Vincent (aka Annie Clark) but of the past few years, offers a plethora of delicious snippets. A mental stunner of an album unfolds with a mixture of voluble guitar mayhem, head-bopping brass sections, and twee electro beats. Not only has Annie Clark grown as a musician, she has blossomed into one of indie rock's most unique staples.

    The eponymous album begins with a shaky, frantic progressive track entitled "Rattlesnake". It slowly brings the audience closer and closer to the new image Annie has given herself. By the end of the track, the hair is let down, the feet are dancing, and the ever-creative guitar shrieks emerge in full force. Crank the amp up to 11, you're in for a joyride. The album's first single, "Birth In Reverse", offers an arrangement of head-scratching lyrics involving daily routines along with the type of instrumentals for a fast car ride. "Prince Johnny", an angelic, yet peculiar addition gives off simple vibes at the beginning. A seemingly innocent track trudges on until the voice of an angel cuts in to sing a few bars of nothingness. To describe the sheer beauty of this track would be an understatement, no matter how it is described. Just listen and fall in love. "Huey Newton" follows, giving quirky electro rhythms, heavy percussion beats, and soft, sultry acoustic riffs. Once again, this track explodes towards the end, letting a head-banging rock opera materialize. The following single, "Digital Witness", allows the listener to hear the obvious David Byrne influences. With a jazzy brass instrumentation, this track could be considered a bonus track from St. Vincent's 2012 collaboration with David Byrne, Love This Giant. And damn, is it ever catchy. "I Prefer Your Love" slows things down with an classic St. Vincent style, returning to the slow drums, the synth beats, and the calm vocals. This track shows that even with the power of a rock star, St. Vincent can still make a tranquil piece. However, the tranquility doesn't last long when "Regret" rolls in. With a slick bass line, heavenly acoustics, and the always beautiful vocals of Ms. Clark, it's an instant classic. "Bring Me Your Loves" is new. It's a track hidden at the end of unchartered territory. A new, frenzied pace of music sets this song apart from the rest of the album. With heavy guitar bits, an acapella section, and electronic rhythms from outer space, this brilliant, yet insane track provides a different side to the usual sounds heard. "Psychopath", a more straight-forward song, offers more bellowing guitar riffs, even if you were tired of them. With a incomparable instrumentation, it is another reminder of the David Byrne influence. As the album begins to end, "Every Tear Disappears" gives one final shout. Although it isn't an mad dash of sporadic beats, it finalizes the more unique side of Annie Clark's new-found music style. "Severed Crossed Fingers", the end of a masterpiece, the "ride off into the sunset as the credits roll" moment, is the perfect way to finish. Not only does it calm the listeners back down, it allows them to reflect on the last 40 minutes of their lives. What they just finished listening to is something exceptional. Something unable to be replicated.

    St. Vincent's fourth effort could be considered her best. It brings in new elements while remaining faithful to the style that got her where she is today. I admire St. Vincent and all she has accomplished. She is not only my favourite female vocalist, but also a top contender for the genre of indie rock. Congrats to you Annie. You and your funky, bleached hairdo.

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  2. Jul 25, 2014
    10
    At this point, no one can doubt about the innate talent and sense of good taste Anne has. But what this fourth album creates is something unique and transcendental, while persisting on being honest and vulnerable. Big minds are big but also humble, and St Vincent knew how to create this as well as such an ambiguous and versatile atmosphere as very few could before. A success from start to end. Expand
  3. Feb 25, 2014
    10
    With this album she consolidates as a incredible artist. St. Vincent is an incredible album that have the reality in the lyrics, and the false digital era, surrounding her personal life ,Annie Clark shows that her power is elevated and then , she can create innovative records with this fourth album she finds her true sound and like her last magnificent Strange Mercy, she crafted a unique, beautiful and genius second masterpiece. Expand
  4. Feb 28, 2014
    9
    St. Vincent's self-titled album is a work of experimental alternative genius and a triumph of human spirit in an age where, more often than not, that spirit is masked rather than exalted by instrumentals. Annie Clark arranges an eclectic potpourri of styles (syncopated vs. steady and even), sounds (acoustic vs. synthetic), and textures (delicate vs. pyrotechnic) and blends them so skillfully, the resulting album feels more like a qualitatively homogenous and entirely original composition than distinct parts of a whole snapped together. Her voice (sonically and lyrically) bursts with definition, maturity, and a critical mind towards her circumstances; she incorporates the carefree cynicism of Lorde with the intellectual confidence and thematic assertiveness of PJ Harvey. This is an album not to be missed, whether or not you know of St. Vincent.

    FINAL SCORE: 90 (almost perfect)
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  5. Aug 12, 2014
    9
    Annie Clarke's fourth solo studio album establishes her as a strong force, and may even be her most personal effort to date. Juggling art pop and indie rock has never been this cohesive, thanks to her always on point guitar. The sound and the lyrical content are more accessible, compared to Strange Mercy. Expand
  6. Mar 23, 2014
    8
    Clark's makeover and eponymous title make this album seem like the second coming of St. Vincent , and I think she does a great job of making her songs more accessible. It's definitely a deviation from her previous work, and you can hear her musical influences shift from collabs with Andrew Bird to David Byrne. The album is much more produced, but it works. Expand
  7. Mar 19, 2014
    3
    I was ready to listen to this with high intentions that I would actually enjoy this. I gave it a few runarounds and after my 3rd time listening to it, I found no joy in the music at all. Yes, this is a catchy album all around but I found nothing new in this sound. It sounds overly cluttered and forced. Thoroughly disappointed by this. Expand

See all 34 User Reviews

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